GNOD ANNOUNCE THE FIRST IN A TRILOGY OF ALBUMS:
CHRONICLES OF GNOWT VOL. 1
OUT 10TH APRIL VIA ROCKET RECORDINGS
“SHADOW MIRROR” SINGLE & VIDEO OUT TODAY
UK & EU TOUR DATES CONFIRMED FOR MAY
Now in their twentieth year of uncompromising and mind-bending music, Gnod return with Chronicles of Gnowt Vol. 1, the first of a planned trilogy, to be released via Rocket Recordings on 10th April. Vol.2 should arrive in October and Vol. 3 in early 2027. Today, they share the first preview from Vol.1 “Shadow Mirror” – listen below.
“I am only interested in people engaged in a project of self-transformation,” Susan Sontag once remarked. Sontag never had the chance to work out how she felt about Gnod, given she sadly left this earthly realm in 2004. Yet Gnod’s now twenty year journey through spiritual and audial exploration has been nothing if not that. Driven by relentless curiosity, magpie irreverence and a fierce countercultural imperative, their project has always refused to acknowledge all or any rules and boundaries, internal or external.
The latest adventure of this band may never have been intended to celebrate their two-decade anniversary, but as long-time Gnod member Paddy Shine notes, they don’t always have a lot of say in these matters –“I know that we didn’t plan it this way but perhaps it was always in the plan and we just didn’t know it,” he notes cryptically. “I guess what I’m saying is that the Gnod thing seems to have its own energy now and certain things tend to take care of themselves”.
“We haven’t reflected too heavily on the twenty year mark and maybe we shouldn’t, but I’m glad we are marking it in true Gnod fashion by releasing too many albums” he laughs –indeed, what began as a trip into a residential studio setup in Hellfire Studios with producer John ‘Spud’ Murphy (Lankum, Black MIDI, Caroline) for six days resulted in more potent material than anyone bargained for.
“Working with Spud was probably the best studio experience we’ve had,” Paddy notes. “He was open to all our ideas, facilitated them the best he could and always had great suggestions. The vibe was right and things just flowed”. The end result has been three studio albums to be released over the next year. “This trilogy revealed itself to us in the studio,” says Paddy. “We were hoping to get a good album out of the session and lo and behold we got three of the fuckers. It’s interesting that we did pretty much capture the full spectrum of the Gnod sound across all three”.
GNOD LIVE IN 2026:
05/05/2026 UK Bristol Strange Brew tickets
06/05/2026 UK Brighton Dust tickets
07/05/2026 FR Paris les Instants Chavirés
08/05/2026 DE Duisburg Stapeltor
09/05/2026 DE Berlin Kantine am Berghain tickets
10/05/2026 PL Poznań Pawilon tickets
11/05/2026 CZ Prague Meet Factory tickets
12/05/2026 AT Innsbruck PMK
13/05/2026 CH Bern Rössli
15/05/2026 NL Nijmegen Sonic Whip tickets
16/05/2026 BE Brussels Obsidian Dust tickets
17/05/2026 UK St Leonards The Piper
07/05/2026 FR Paris les Instants Chavirés
08/05/2026 DE Duisburg Stapeltor
09/05/2026 DE Berlin Kantine am Berghain tickets
10/05/2026 PL Poznań Pawilon tickets
11/05/2026 CZ Prague Meet Factory tickets
12/05/2026 AT Innsbruck PMK
13/05/2026 CH Bern Rössli
15/05/2026 NL Nijmegen Sonic Whip tickets
16/05/2026 BE Brussels Obsidian Dust tickets
17/05/2026 UK St Leonards The Piper
03-06/09/2026 – End Of The Road Festival
Chronicles of Gnowt Vol. 1 album cover by João Alves
CHRONICLES OF GNOWT VOL. 1 TRACK LISTING:
1 – THREE TREE’S (PART 1)
2 – SHADOW MIRROR [listen]
3 – NEPTUNE
4 – THREE TREE’S (PART 2)
5 – ALL TUNNEL NO LIGHT
6 – EKSTASIS
In fact, this intrepid first instalment of the Chronicles of Gnowt trilogy covers an alarming amount of sonic territory all on its own. Driven as always by the power of repetition as well as Gnod’s alchemical marriage of the maximal and the minimal, this album is imbued with a vivid focus that’s testimony to the chemistry of the sessions, coupled with a detailed and spacious production from Murphy that brings out the psychedelic sound worlds of the band in vivid colour.
This is a travelogue which delves into pastoral tranquillity (as on “Three Trees Parts 1 & 2”) just as adeptly as expansive Earth-tinged riff monoliths (“All Tunnel No Light”) and just as formidably as the closing epic “Ekstasis” – a hallucinatory vista where kraut-tinged experimentalism meets Swans-style intensity. Yet all the while, truly sounding like no one but Gnod.
Thus, the crooked path continues. Always unique, always changing, but forever refreshed, Now as ever a band to draw a myriad invocations from one chord. Gnod’s only enemies in their psychic quest remain inertia and boredom. What’s more, there’s no end in sight.




