Avatar // Don’t Go in The Forest // Album Review

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I stumbled across these guys about ten years ago in the Metal Mecca of Dublin, that is, the Sound Cellar, and I have been enthralled since. Their circus theatrics, savage grooves, and all-around killer sound make them essential listening. Each of their albums has gotten better and better, and number ten is no different, albeit slightly different, in that the band have thrown a couple of curveballs in there, and while they feel odd and out of place at first, they quickly become favourites.

The album kicks off with “Tonight We Must Be Warriors” to the back drop off a marching beat with Eckerstrom leading the way with spoken vocals before the band kick in to a massive fan fare of horns, drums and great riffs in a power metal frenzy, airy chorus’ and a rousing guitar solo push the track over the top, an outstanding way to start proceedings, catchy is an understatement as you will be humming this for days on end. Next up is “In The Airwaves”  which is a significant turnaround from the previous track in a sound that is more familiar with fans as they dive back into their death metal stylings and add a touch of metalcore with the more melodious chorus’, the beat created by Alfredsson on the drums combined with Sandelin’s monster bass line is insane and really drives the track, Ohrstrom weighs in with another brilliant solo towards the back end of the track to add a little extra to a great track.

“Captain Goat” is a slow doom ridden track sounding like an old sea shanty will the band chanting the chorus line, this is by far one of the oddest offerings to date from the band but let me tell you it is also one of their best, this grows on you like a limpet and you will be singing the chorus by the end of it guaranteed. Title track “Don’t Go In The Forest” is a bass lead groove monster that once again sees the band change things up with a more straight forward rock banger; from Sandelin and Alfredsson’s booming low end to Jarlsby and Ohrstrom’s masterful riffery to Eckerstrom’s cracking vocals this is equal parts dark and melodic, this is possibly the best track on the album and will be amazing live. “Death And Glitz” brings the cuckoo back with another groover’s dream courtesy of Sandelin’s savage bass line and some funky riffage from Jarlsby and Ohrstrom. Eckerstrom is at his finest, seamlessly switching between clean and screamed vocals; this one is a real earworm. “Abduction Song” hits like a sledgehammer as Alfredsson lays down a brutal drum beat, reminding everyone that these guys pack a serious punch, ably assisted by some cutting riffs and an equally heavy bass line. Eckerstrom’s trademark guttural roars and high melodic vocals are on another level here, giving the track an extra bit of flair. “Howling At The Waves” is not something you would expect: a piano-driven ballad-style track stripped back, allowing Eckerstrom to give a heartfelt, vulnerable performance —a nice change of pace.

“Dead And Gone And Back Again” is a gem of a track that has so much packed in that the mind boggles at how they keep track of what they are doing, it grooves, it rocks, it’s dark, it’s melodic, it has another cracking solo from Ohrstrom while the drums and bass are off the wall and Eckerstrom gives a masterclass in multiple personality vocals, screamed, guttural, clean and melodic; it’s all there and combined it gives you one hell of a track, although you may not know whether you are coming or going for the most part, you will love it. “Take This Heart And Burn It” is vintage Avatar, with their quirky blend of heavy, dark brutality and lighter melodic sides, giving you pure calming chaos — and the reason we love these guys.

The album closes with “Magic Lantern” a hypnotic cross of electro and metal, starting out with a wah pedal riff and keyboard combo as Eckerstrom goes at it easy with restrained, for him, vocals for the most part, the wah pedal riff is present throughout and gives an eerie atmospheric vibe as does the solo, a weird and fantastic way to cap a truly brilliant album.

Avartar never cease to amaze and astound with each new album, and this is no different.

Review: Conor

“Don’t Go In The Forest” is out on 31st October

DON’T GO IN THE FOREST
Tonight We Must Be Warriors
In The Airwaves
Captain Goat
‘Don’t Go In The Forest’
Death And Glitz
‘Abduction Song’
‘Howling At The Waves’
‘Dead And Gone And Back Again’
‘Take This Heart And Burn’
‘Magic Lantern’

‘IN THE AIRWAVES’ UK & EUROPEAN TOUR
STARTS FEBRUARY 2026
with ALIEN WEAPONRY & WITCH CLUB SATAN

TOUR DATES SUPPORTING METALLICA
SUMMER 2026

Avatar are:

Johannes Eckerstrom Vocals, brass, piano/keyboard

John Alfredsson Drums

Jonas Jarlsby Guitar

Henrik Sandelin Bass

Tim Ohrstrom Guitar

www.avatarmetal.com

www.instagram.com/avatarmetal

www.facebook.com/avatarmetal

www.tiktok.com/@avatarmetalofficial

 

Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping. In fact, they Avatar will spend the foreseeable future (if not forever) on the road.

2025 MEXICO  & USA HEADLINE

  • Fri, Oct 31, 25 — Mexico City, MX — The Pepsi Center
  • Wed, Nov 5, 25 — Phoenix, AZ — The Van Buren
  • Thu, Nov 6, 25 — San Diego, CA — The Observatory San Diego
  • Fri, Nov 7, 25 — Riverside, CA — Riverside Municipal Auditorium
  • Sat, Nov 8, 25 — Las Vegas, NV — Brooklyn Bowl
  • Mon, Nov 10, 25 — Seattle, WA — Moore Theater
  • Tue, Nov 11, 25 — Portland, OR — Roseland Theatre
  • Wed, Nov 12, 25 — Boise, ID — Revolution
  • Fri, Nov 14, 25 — Salt Lake City, UT — The Union
  • Sat, Nov 15, 25 — Denver, CO — Fillmore
  • Mon, Nov 17, 25 — Minneapolis, MN — Fillmore
  • Tue, Nov 18, 25 — Madison, WI — The Sylvee
  • Thu, Nov 20, 25 — Detroit, MI — The Fillmore Detroit
  • Fri, Nov 21, 25 — Pittsburgh, PA — Stage AE
  • Sat, Nov 22, 25 — Columbus, OH — KEMBA Live!
  • Sun, Nov 23, 25 — Silver Spring, MD — The Fillmore Silver Spring
  • Tue, Nov 25, 25 — Huntington, NY — Paramount
  • Wed, Nov 26, 25 — Boston, MA — House of Blues
  • Fri, Nov 28, 25 — Allentown, PA — Archer Music Hall
  • Sat, Nov 29, 25 — Charlotte, NC — The Fillmore Charlotte
  • Sun, Nov 30, 25 — Louisville, KY — Old Forester’s Paristown Hall
  • Tue, Dec 2, 25 — Chicago, IL — Riviera Theater
  • Thu, Dec 4, 25 — Nashville, TN — Marathon Music Works
  • Fri, Dec 5, 25 — St. Louis, MO — The Pageant
  • Sat, Dec 6, 25 — Tulsa, OK — Tulsa Theater
  • Sun, Dec 7, 25 — Dallas, TX — House of Blues
2026 EUROPEAN HEADLINE TOUR
  • Thu, Feb 5, 26 — Stockholm, SE — Fållan
  • Sat, Feb 7, 26 — Helsinki, FI — Kulttuuritalo
  • Mon, Feb 9, 26 — Oslo, NO — Sentrum Scene
  • Tue, Feb 10, 26 — Copenhagen, DK — Vega
  • Wed, Feb 11, 26 — Osnabrück, DE — Die Botschaft
  • Thu, Feb 12, 26 — Brussels, BE — A.B.
  • Sat, Feb 14, 26 — London, UK — Exhibition
  • Sun, Feb 15, 26 — Manchester, UK — Academy
  • Mon, Feb 16, 26 — Glasgow, UK — Barrowland
  • Tue, Feb 17, 26 — Nottingham, UK — Rock City
  • Wed, Feb 18, 26 — Bristol, UK — O2 Academy
  • Fri, Feb 20, 26 — Amsterdam, NL — AFAS Live
  • Sat, Feb 21, 26 — Esch-Sur-Alzette, LU — Rockhal
  • Sun, Feb 22, 26 — Zürich, CH — Komplex
  • Tue, Feb 24, 26 — Barcelona, ES — Razzmatazz
  • Wed, Feb 25, 26 — Madrid, ES — La Riviera
  • Fri, Feb 27, 26 — Lisbon, PT — LAV
  • Sat, Feb 28, 26 — Bilbao, ES — Santana 27
  • Mon, Mar 2, 26 — Lyon, FR — Le Cube
  • Tue, Mar 3, 26 — Milan, IT — Alcatraz
  • Wed, Mar 4, 26 — Vienna, AT — Gasometer
  • Thu, Mar 5, 26 — Munich, DE — Tonhalle
  • Fri, Mar 6, 26 — Cologne, DE — E-Werk
  • Sat, Mar 7, 26 — Paris, FR — Le Zenith
  • Mon, Mar 9, 26 — Wiesbaden, DE — Schlachthof
  • Tue, Mar 10, 26 — Zlin, CZ — Sports Hall Datart
  • Wed, Mar 11, 26 — Warsaw, PL — Stodola
  • Thu, Mar 12, 26 — Berlin, DE — Columbiahalle
  • Fri, Mar 13, 26 — Hamburg, DE — Docks
SUPPORTING METALLICA — SUMMER 2026
  • Sun, May 24, 26 — Frankfurt, DE — Deutsche Bank Park
  • Thu, Jun 11, 26 — Budapest, HU — Puskas Arena
  • Fri, Jun 19, 26 — Dublin, IE — Aviva Stadium
  • Sun, Jul 5, 26 — London, UK — London Stadium
ABOUT AVATAR

As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home, a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.You lay awake at night, yet you dream a thousand dreams more real than any waking moment.

Strange times call for a strange band. With a life-long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.

Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind of freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.

Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.

It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t Go In The Forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.

While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows.

From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as ‘The Dirt I’m Buried In’ reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

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