Buffalo Nichols – Hear new single from forthcoming new album ‘The Fatalist’ out 15th September

Buffalo Nichols, credit: Samer Ghani
Milwaukee, WI-based Buffalo Nichols today released his new original single ‘Love Is All’ previewing his anticipated album ‘The Fatalist’ due out 15th September via Fat Possum. Anchored by a mesmerizing blues arpeggio that floats over a minimal, driving rhythm, the evocative modern protest song proudly declares ‘Love Is All.’ “In our society the bar is set very low for what is deemed acceptable behavior for men,” says Nichols. “It is socially acceptable to be cruel and place financial gain over human kindness so I believe loving and treating someone with respect, fairness and kindness is one of the most powerful things one can do. Choosing spiritual love over material love. There is also a theme of the unfamiliarity of pure and real love as many of us grow up having never experienced or witnessed it.”
‘Love Is All’ follows the album’s lead single ‘You’re Gonna Need Somebody On Your Bond‘, a cover of Blind Willie Johnson. Currently on a summer-long tour across the U.S., Nichols will perform at London’s Rough Trade East on 28th August (TICKETS).
On his self-produced second album, Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped-up samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of blues music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st-century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to everyday life in 2023, something that’s reflected not only in the choice of instrumentation, but in the complexities of the songwriting and the grey areas his lyrics explore. This is music that comes straight from the present, and as such, it’s a reminder that the same shit that drove the first blues singers to pick up a guitar is still present behind the throbs of deep bass hits today.
Of course, Nichols’ songwriting has always been firmly rooted in the present. He proved he could succeed on the music industry’s own blues terms on his self-titled 2021 debut, whose songs, Bandcamp Daily said, “seem to flow from some great repository of emotion and insight.” ‘The Fatalist’ finds him digging deeper in search of answers to ever-more-complicated questions around responsibility and self-definition, his plainspoken lyrics both cutting and refreshing in their sincerity and refusal to accept pat solutions. Still, Nichols rarely sounds like a blues singer. Like Leonard Cohen, he dominates these songs with his voice. His low, guttural baritone is high in the mix, and he sounds coiled, clenched tight.
The slow drip of his songwriting lends ‘The Fatalist’ an incredible amount of drama, which the production, at times dark and dewy and claustrophobic, at times zippy with light, further emphasises. That personal touch is evident in how considerately these songs have been framed. “In a lot of ways I was improvising,” he says, and he leaned on his years of experience as a DIY musician -and the songs themselves -to guide him. “Drum machines are a 50-year-old technology. If the blues hadn’t been hijacked and trapped in amber, I think they naturally would’ve been incorporated.” The drum programming throughout feels like a natural rhythmic vehicle for these songs. “When you pick up a guitar, the first thing you’re gonna play is the blues,” he says. “And when you pick up an 808, you’re gonna start doing trap beats.
The stakes throughout this album are largely personal, rather than social; Nichols is singing about his life in the first person and about his desire to forge his own individuality in a world and a music industry that make it nearly impossible to do so. Ringing through ‘The Fatalist Blues, and ‘The Fatalist,’ is a simple question: Do I have any say in how things are going to go? It’s the question behind so much of the physical and psychic pain in the blues, and in a frustrating age that preaches self-empowerment and shames the disenfranchised, it’s a stridently modern question, too. By playing his music the way he wants to play it, by refusing to give up his creative control or accept anyone else’s definition of the blues or indeed his own life, Nichols has tried to forge an answer. Does he have any say in how things are going to go? Let’s find out.
Praise for Buffalo Nichols’ eponymous debut album:
“a sharp, succinct, inventive and insightful songwriter, one who can convey complex ideas with just a few words.” Uncut 9/10 Album of the Month
“Mesmerising… gritty, old-style blues with a laser-sharp modern focus” 4/5 MOJO
“Impressive debut, an album steeped in tradition but with an urgent, contemporary edge” The Observer
“A true find” 9/10 Classic Rock
“A short, but sharp debut” 4/5 Daily Express
“Nichols will soon be blues royalty…Get to know this future legend” The Revue
“…one of the most promising debut records to come out in quite some time” – No Depression
“…stripped-down arrangement of fingerstyle and slide guitar, plus Nichols’ world-weary delivery of his existential blues.” Rolling Stone
‘The Fatalist’ LP tracklist:
1. Cold Black Stare
4. Turn Another Stone
5. The Difference
6. The Long Journey Home
7. The Fatalist Blues
8. This Moment (feat. Samantha Rise)
Buffalo Nichols tour dates
06/09 – Flagstaff, AZ – Flagstaff Blues Fest
06/10 – Tucson, AZ – Club Congress
06/11 – Phoenix, AZ – Rebel Lounge
06/15 – Philadelphia, PA – Milkboy
06/16 – Philadelphia, PA – WXPN Free at Noon
06/16 – Monkton, MD – The Loft at Manor Mill
06/17 – Bowie, MD – Juneteenth Jubilee
06/17 – Columbia, MD – Columbia Fest for the Arts
06/18 – Berryville, VA – Barns of Rose Hill
06/19 – Pittsburgh, PA – Club Cafe
06/23 – Des Moines, IA – Des Moines Arts Festival
06/24 – Madison, WI – Memorial Union Terrace at Univ of Wisconsin
06/29 – Hamilton, OH – Riversedge Amphitheater
06/30 – Memphis, TN – Overton Park
07/06-08 – Winnipeg, MB – Winnipeg Folk Fest
07/20 – San Francisco, CA – SF Jazz Summer Fest
07/21-22 – Marquette, MI – Hiawatha Music Festival
07/27-30 – Calgary, AB – Calgary Folk Fest
08/10 – Fort Collins, CO – Bohemian Foundation
08/12 – Cheyenne, WY – Cheyenne Arts Celebration
08/18 – Roxbury, NY – Roxbury ARts Center
08/19 – Portsmouth, NH – The Music Hall – Live Under the Arch Series
08/24-27 – Tønder, DK – Tønder Festival
08/28 – London, UK – Rough Trade East
09/06 – Bloomington, IN – The Bishop
09/07 – Newport, KY – Southgate House
09/08 – Louisville, KY – Zanzabar
09/09 – Bowling Green. OH – Black Swamp Arts Festival
09/14 – Denver, CO – Levitt Pavilion
09/15-17 – Telluride Blues & Brews
09/20 – Elkton, MD – Elkton Music Hall
09/21 – Southampton, PA – Stone Turtle House Concert
09/22 – New York, NY – Mercury Lounge
09/23 – New Haven, CT – Cafe Nine
09/24 – North Adams, MA – Freshgrass
10/05 – Madison, WI – High Noon
10/06 – Chicago, IL – Sleeping Village
10/07 – Minneapolis, MN – Turf Club
10/12 – Grand Rapids, MI – Midtown
10/13 – Cleveland, OH – Beachland Tavern
10/14 – Jackson, MI – Jackson Symphony Orchestra
10/15 – Columbus, OH – Rumba Cafe – WCBE Happy Hour
10/18 – Buffalo, NY – Buffalo Iron Works
10/19 – Rochester, NY – Abilene Bar & Lounge
10/20 – Providence, RI – Askew
10/21 – Portland, ME – One Longfellow
10/22 – Waterbury Center, VT – Zenbarn
11/10 – Milwaukee, WI – Turner Hall
11/13 – Seattle, WA – Sunset Tavern
11/14 – Portland, OR – Mississippi Studios
11/15 – Eugene, OR – Hult Center
11/16 – Grass Valley, CA – Grass Valley Center for the Arts
11/17 – Livermore, CA – Livermore Valley Performing Arts Center
11/18 – Los Angeles, CA – Gold Diggers
11/29 – Charlotte, NC – Snug Harbor
11/30 – Asheville, NC – Grey Eagle
12/01 – Atlanta, GA – The Earl
12/02 – Nashville, TN – Blue Room
12/03 – Memphis, TN – B-Side / Folk All Y’all
12/05 – Little Rock, AR – White Water Tavern
12/06 – Dallas, TX – Sundown at Granada
12/07 – San Antonio, TX – Sam’s Burger Joint
12/08 – Austin, TX – Antone’s
12/09 – Houston, TX – Continental Club
12/15 – Waverly, AL – Standard Deluxe
12/16 – Macon, GA – Society Garden
‘The Fatalist’ LP artwork