Grammy winning DAISY WORLD releases new EP ‘i bet you missed me’

Grammy winning DAISY WORLD releases

new EP ‘i bet you missed me’

Photo: Sunny Mercuriadis

Los Angeles-based Grammy winning alt-pop artist DAISY WORLD has returned with her brand new EP, i bet you missed me, marking a fearless new chapter in her career. Drawing on the unapologetic energy of 90s icons like Garbage and Hole, the EP is a blistering declaration of rage, release, and reclamation. Stream the full EP here.

“Anger sets me free,” DAISY WORLD says. “This EP unlocked something in me. I disappeared from the daylight to find my joy again. This EP is me saying: Hello, I’m back — and better than ever.”

Following a period of personal upheaval – heartbreak, broken friendships, professional setbacks, and loss, DAISY WORLD decided to shed the weight of grief-filled songwriting and rediscover the joy of making music. Collaborating with Natalie Sawicki and Franco Reid, she found a creative spark that made the songs come alive naturally. “The music stopped being in service of myself,” she explains. “We were all just there to serve the music. All the vocals you hear are scratch takes and I love that raw energy.”

DAISY WORLD – ‘Jelly Donuts’ (Official Music Video)

Having collaborated with Tyler, the Creator, Steve Lacy, Matt Martians, Patrick Paige, and Taku, Daisy World stands at the intersection of underground and mainstream impact. Her sound – rooted in alt-soul but unafraid to veer into funk, pop, punk and grunge, feels as unpredictable as it is unforgettable.

With over 73 million streams and a growing following of 20,000+, she’s carved out a space that’s entirely her own. Her signature vocal style earned her a Grammy win for her contribution to Call Me If You Get Lost (Tyler, the Creator) and a Grammy nomination as the sole feature on Steve Lacy’s Apollo XXI.

Featured in Billboard, NYLON, The Fader, and Ones to Watch, Daisy World has been praised as a magnetic force in the evolving alt-soul landscape. Whether floating over dreamy, funk-laced production or tapping into raw, grunge-tinged emotion, she continues to push boundaries and redefine what it means to be an artist in 2025.