DÅÅTH began their journey in 1999 and stayed busy for just over a decade before its 2011 hiatus. In that time, the band released four studio albums — Futility in 2004, The Hinderers in 2007, The Concealers in 2009, and their self-titled LP in 2010. Tours with Cattle Decapitation, Dark Funeral, Cynic, Nile, Slayer, Dragonforce, Goatwhore, Chimaira, Dying Fetus, and Devildriver followed. DÅÅTH also landed a coveted spot on Ozzfest playing before tens of thousands of fans in outdoor amphitheaters across the US, in addition to the infamous and long-running metal tour Summer Slaughter.
After twelve years on hiatus, DÅÅTH found their ideal new home at Metal Blade, signing to the label and wasting no time creating new music, cover songs (Death‘s “The Philosopher” and Morbid Angel‘s “Where the Slime Live”) and reissuing previous albums. The first new song from the revitalized DÅÅTH, “No Rest No End” (released ahead of the album in February 2023), features guest solos by Spiro Dussias and now-DÅÅTH member Trujillo, who impressed Levi so much while guesting on the track that he was invited to join the band.
“…a modern metal record aimed squarely at connoisseurs and tech freaks, but it also has some huge tunes and barrels of charisma. What, as they say, is not to like?” — Blabbermouth
“”The Deceivers is destined to go down as a career highlight for Dååth, a jewel in their crown if ever there was one. It really is that good, simple as that.” — MetalSucks
“…a furious comeback…” – Fuze
“The Deceivers is an astonishingly magical time that shows the band‘s core at the top of their game and their judgment to make their continued vision a reality more honed than before. This is a true diamond in the rough.” – Lambgoat
“Many tracks are expanded enormously, with many orchestral elements and the necessary bombast, which sometimes makes DÅÅTH seem like a death metal version of Dimmu Borgir. The music is very tight and tasteful. And guest contributions from musicians from Periphery, Scar Symmetry and Archspire further contribute to the great variety on the record.” — Aardschok
“The album provides an excellent return for the band that settles into their place in the metal landscape, as an impressive and logical next step in Levi’s creative vision given his classical pedigree. Fans of the band should rejoice as it will live up to expectations. There is an entire generation of young teenage metalheads who were not old enough for the band‘s last album, so time will tell how this album sits with that demographic.” — No Clean Singing
“This album proves to be an impressive logical step in the continuity of the band‘s sound, paying respect to their past while looking forward.” – Ghost Cult
“…a fully immersive experience that often represents the best of what modern progressive death metal can be.” — Sonic Perspectives
“…a true final-form of where DÅÅTH wanted to take their sound. The sheer evolution and scale of the mix is astounding at some points… DÅÅTH delivered a beast of a record, and I know for sure will most likely make a lot of best of 2024 lists.” — This Day In Metal
“The Deceivers rips, and that is no lie. Welcome back, gents – please don‘t leave us again.” — Devolution Magazine
DÅÅTH:
Eyal Levi – guitar
Sean Z – vocals
Krimh – drums
Jesse Zuretti – orchestration, synth, guitar
Rafael Trujillo – lead guitar
Davis Marvuglio – bass
https://daathofficial.com
https://www.facebook.com/Daath
https://www.instagram.com/daathofficial
https://www.youtube.com/@DAATHOFFICIAL
https://www.tiktok.com/@daathofficial
http://www.metalblade.com
http://www.facebook.com/metalbladerecords
http://www.instagram.com/metalbladerecords
http://www.twitter.com/MetalBlade
https://www.metalblade.com/museum/
https://metalblade.bandcamp.com
https://www.youtube.com/MetalBladeRecords
https://open.spotify.com/user/metalbladerecordsofficial