YANN TIERSEN
SHARES NEW TRACK:
LISTEN TO “CALEDONIAN CANAL” HERE
FROM UPCOMING ALBUM
RATHLIN FROM A DISTANCE | THE LIQUID HOUR
OUT 4 APRIL 2025 VIA MUTE – PRE-ORDER/SAVE HERE
UPCOMING LIVE DATE AT
BARBICAN, LONDON, 19 APRIL 2025
UK INSTORES ANNOUNCED AT BRISTOL ON 17 APRIL + LIVERPOOL ON 21 APRIL
Yann Tiersen today shares “Caledonian Canal”, the latest track from his highly anticipated new album, Rathlin from a Distance | The Liquid Hour, out on vinyl, CD and digitally on 4 April 2025 via Mute. An album divided into two distinct, interconnected parts, each with its own unique sonic characteristics, Rathlin from a Distance | The Liquid Hour is available for pre-order/pre-save HERE.
The closing piece of Rathlin from a Distance’s eight introspective instrumental piano tracks, “Caledonian Canal” is a masterclass of stripped back tenderness.
Tiersen explains, ““Caledonian Canal” is the last station in our quest for identity. Here, we find our true selves, harness the energy we need, and finally prepare to face the world. This song represents the final phase before the Liquid Hour part of the album, where we find the courage to go out and fight. The calm before the storm.“
“Caledonian Canal” follows the release of “Rathlin from a Distance”, a meditation on identity that highlights Tiersen’s exceptional piano playing, and “Ninnog at Sea”, an electronic anthem blending Tiersen’s seafaring reflections into a dynamic track that pulses with rage, hope, and the call to dismantle and rebuild for a radiant collective future. Yann’s most recent release, “Arne”, is an expansive and hypnotic soundscape interwoven with QUINQUIS’ ethereal vocals.
Listen to “Caledonian Canal” HERE.
Watch a live studio version of “Caledonian Canal” HERE.
Yann Tiersen will perform live at Barbican in London on 19 April 2025. Tickets are on sale now – ticket link HERE. Two new instores have also been announced at Rough Trade Bristol on 17 April, and Liverpool on 21 April.
Rathlin from a Distance features eight instrumental piano pieces, each named after a location Tiersen visited during his 2023 sailing tour. From the Atlantic’s Fastnet Lighthouse to the Faroe Islands, Shetland, and Fair Isle, these tracks reflect a journey of self-discovery. Tiersen’s piano work creates an hypnotic atmosphere, each stop on the journey marking a deeper level of consciousness. The music evokes a sense of space and introspection.
While Rathlin from a Distance is meditative, The Liquid Hour – which Tiersen was working on when he decided things needed to be torn down – is a bold and urgent musical statement, which opens with an epic, sweeping track that channels Tiersen’s desire for social and political change. The inspiration for this section of the album was rooted in Tiersen’s experiences at sea, particularly a moment when he gazed upon the lights of Belfast, alone at the helm of his sailboat in the middle of the night, after nearly two months at sea. This moment of serenity led to deep reflections on the city’s troubled history and its connection to broader political struggles. The expansive sonic palette of The Liquid Hour blends atmospheric ambient music, hypnotic grooves, and striking electronic instrumentation, with the haunting vocals of Émilie Quinquis adding a powerful dimension to the album’s message.
Tiersen’s use of vintage and electronic instruments – including the Ondioline, a rare 1930s electronic instrument loaned to him by Gotye’s Forgotten Futures organisation – adds a rich texture to the recordings. He also employed four different drum machines to create unique tribal rhythms and pulsing beats. The Liquid Hour is an exploration of both personal and collective power, a call to action set against the backdrop of global crises.
Tiersen has long embraced sustainability in his touring practices, opting to travel by sailboat and campervan in order to embrace slow touring and minimise his environmental impact, re-writing the script for what it means to be a touring musician in the modern age. This approach embodies the album’s broader themes of reflection, environmental awareness, and the search for deeper meaning in a world defined by crisis and change. “At sea, you get to see the world as it is,” says Tiersen. “The sea is the ultimate reality. There are no borders, and you can go everywhere. It really hits home the bullshit of borders.”
The Liquid Hour culminates with a powerful closing track named after Dolores Ibárruri, the Spanish anti-fascist, known for her legendary “¡No Pasarán!” speech, a defiant call for action against capitalism, post-colonialism, and the ongoing ecocide. As Tiersen puts it, “It’s not about anger. It’s about finding a way to change.”
Rathlin from a Distance | The Liquid Hour is an album that spans the full spectrum of human emotion, from introspective reflection to powerful calls for change. With a unique blend of acoustic and electronic elements, it marks a bold new chapter in Yann Tiersen’s musical evolution.
Rathlin from a Distance | The Liquid Hour will be available on vinyl, CD and digitally on 4 April via Mute – Pre-order HERE
The sheet music for the album is available now, published by Hal Leonard
Rathlin from a Distance | The Liquid Hour tracklisting (cat #STUMM514)
Rathlin from a Distance
1 Ninnog
2 Fastnet
3 Rathlin from a Distance
4 Tórshavn
5 Norðragøta
6 Papa Stour
7 Bigton
8 Caledonian Canal
The Liquid Hour
1 Stourm
2 Ninnog at Sea
3 Arne
4 The Liquid Hour
5 Dolores
Rathlin from a Distance was produced by Yann Tiersen, and was recorded on tape at the Eskal studio by Matias Duarte.
The Liquid Hour was produced by Yann Tiersen, mixed by Randall Dunn at Circular Ruin, Brooklyn and was recorded both digitally and on tape by Yann Tiersen, Matias Duarte and Thomas Lefebvre at the Eskal studio.