THEODOR BASTARD

Announce New Album “▽”

World music pioneers return with dark electronics for dark times

on first studio album in six years

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Theodor Bastard – Sverkay (Official Music Video)

While they’ve remained relatively silent over the past six years, THEODOR BASTARD refuse to stay still. Amidst the shadows of the pandemic, war and invasive technology, the world music pioneers have been searching for a way out of the darkness that’s descended over our reality. The path they discovered on their upcoming album didn’t lead back to their home in the forest of Karelia, but away from it, into the coldness of the city, a collapsing civilization, and ultimately, rebirth. Today, Theodor Bastard announce ▽ through Season of Mist, alongside a music video for lead single “Sverkay,” out now. The album follows on November 13, 2026.

Watch Sverkay: https://youtu.be/LzI4DwPykWI

▽ reflects just how much has changed since the world last heard from Theodor Bastard in April 2020. While the band are still recognized internationally for blending ritual folk, electronics and world music, on their new album they’ve re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised late last year when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama The Method. But the latest single from ▽ is a giant leap from the softer, more earthly textures of the band’s recent studio ventures. Like a spaceship, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat. “Вдох – выдох (Inhale – Exhale),” sings vocalist Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division.

Pre-order & pre-save ▽: https://orcd.co/theodorbastardv

The album features guest contributions from harpist Christine Kazarian, bassist Eli H, drummer Vyacheslav Nikiforov, flautist and backing vocalist Maria Starostina, guitarist Maxim Kostyunin, and Gale Dorothy on vocals for opening track “Molnii i Svist.”

▽ was produced by Fedor Svolotch, recorded at Theo Records. The album was mixed by Fedor Svolotch and mastered by Boris Istomin at Knob Studio. Cover artwork is by Fedor Svolotch, layout by Yana Veva & Fedor Svolotch, with photography by Dmitry Kazakov.

Theodor Bastard state:

“This album might never have happened. So much has surrounded us during recent years: the pandemic, war, division, fear, anxiety over technology, and a sense that reality itself is becoming darker and more unstable. We have felt so much anger, pain, confusion and disappointment both in ourselves and in the world around us. All these emotions were gathering inside us, changing, darkening, searching for a form, until they eventually transformed into the unexpected on ▽.”

Theodor Bastard - ∇ - Merchandise Graphic

Tracklist:

1. Molnii i Svist (00:48)

2. Vedma (4:24)

3. Nebo (4:33)

4. Kaplya Rosi (2:46)

5. Zveroboy (6:16)

6. Dusha (4:33)

7. Ditya (5:42)

8. Ostavlyaem (3:45)

9. Sverkay (3:25)

10. Vremya (4:36)

Full runtime: 40:42

Origin: Karelia

Genre: Electronic

FFO: Björk, Fever Ray, Arca

Theodor Bastard - Band Photo - © Dmitry Kazakov

Photo by © Dmitry Kazakov

THEODOR BASTARD refuse to stay still. In the five years of relative silence since their last studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over our reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, Theodor Bastard are reborn on ▽.

“Our sound changed because the world changed”, producer, multi-instrumentalist and founding member Fedor Svolotch says. “We had to destroy our own habits and expectations to make ▽. We wanted to start again, as if the band has no past, no safe place, no ready-made formula. As a result, this album is not a continuation of what came before. It’s a different door”.

Svolotch founded Theodor Bastard in 1995. What started as a solo project grew during the 2000s into what’s now a seven-member band that includes vocalist and multi-instrumentalist Yana Veva, keyboardist Alexey Kalinovskiy, drummer Andy Vladych, vocalist Ekaterina Dolmatova, percussionist Kusas and cellist Vyacheslav Salikov. Blending the lines between ritual folk, electronic and world music has gained them international recognition. They’ve toured and performed at major festivals across Europe, including Fusion, Castlefest and Dark Bombastic Evening.

With eight studio albums, three video game soundtracks, two live albums, a compilation of remixes and syncs in major films and television shows, Theodor Bastard have also received international acclaim. The band have won a Russian World Music Award, a Golden Gargoyle, an International Acoustic Music Award and multiple LIT Music Awards. Their previous album, 2020’s Volch’ya Yagoda, won the St. Petersburg Best Album award in the Mood category. Its take on the Russian lullaby “Volchol” was a finalist in the World category for the John Lennon Songwriting Contest.

“[…] their music comes directly from heaven”, Essentially Pop wrote in praise of the album’s single “Les”.

Folk N Rock agreed. “[…] a well-crafted album and deserves a listen if you are a fan of folk or trip-hop electronic music.

“Theodor Bastard’s prolific catalogue of music is only getting better with age and experience”, wrote Indie Pulse Music.

▽ reflects just how much has changed since the world last heard from Theodor Bastard. While still widely recognized internationally as leaders for ritual folk and world music, the band have re-embraced their early electronic impulses. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama The Method. “We did not want to make another comfortable northern ethnic album just because that’s what some people might expect from us”, Svolotch says. “▽ is electronic, nervous, physical and wounded because this is how the world feels now”.

The album’s lead single is a sure sign that Theodor Bastard are bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat. “Вдох – выдох (Inhale – Exhale)”, sings a bewitching Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division.

“This is not the time for beautiful genre obedience”, Svolotch says. “The world is full of violence, exhaustion, stupidity and fear. Instead of flights into space, instead of discovering the inner abysses within ourselves, humanity is once again busy with destruction, cruelty and self-hypnosis”.

To a world that’s mired in its own deadly trance, ▽ arrives like a much-needed slap across the face. The album was created during a long and trying period for Theodor Bastard. It offers little comfort; its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. “Ditya” questions the nature of our creation amidst a hybrid of electronic dance music, gospel and the blues. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.

“Across ▽, darkwave, indietronica, post-punk and neo-psychedelia are not used as genre references. They are fused into a single world, where ritual presence and the physicality of live sound coexist”, Svolotch concludes. “It is unmistakably Theodor Bastard, but in a state of renewal, where the band’s recognizable identity becomes a starting point for transformation rather than a limit”.

With ▽, Theodor Bastard return with dark electronics for dark times.

Recording Lineup:

Yana Veva — Vocals, Lyrics, Vocal Arrangements, Synthesizers, Keyboards

Fedor Svolotch — Arrangements, Guitars, Bass Guitar, (Analog) Synthesizers, Keyboards, Drum Programming, Sound Design, Sound Production, Mixing

Christine Kazarian — Harp

Vyacheslav Salikov — Cello, Strings

Kusas — Percussion, Bells, Metallophone, Marimba, Jaw Harp

Ekaterina Dolmatova — Backing Vocals

Eli H — Bass Guitar

Alexey Kalinovskiy — Keyboards, Synthesizer, Lap Slide Guitar

Vyacheslav Nikiforov — Drums

Sergey Smirnov — Drums