All over their new record, The Dirty Nil dive headfirst into something far more visceral and back-to-basics. Without a moment to overthink, The Lash poured out of them, and they recorded the entire record in just over two weeks with up-and-coming producer and their actual front-of-house engineer, Vince Solveri. The result finds the band sounding more urgent and alive than ever before.
Everything about The Lash evokes a certain sort of brutality. During a trip to the Vatican, vocalist / guitarist Luke Bentham found inspiration in some of its forgotten art. “I was in a very dusty part of the basement, and they had these crazy bronze reliefs that were some of the most brutal things I’ve ever seen,” he recalls. “There was a particular one called The Horrors of War. It was two guys fighting over a knife. That image ended up guiding a lot of this record.”
From there, the band brought in UK designer Jack Sabbat for his acerbic, bootleg punk-flyer style, assuring The Lash would look right at home in a beat-up bin of old Crass records or in a Medieval torture dungeon.
Thematically, the album’s ten tracks trade Bentham’s usual happy-go-lucky romanticism for a cathartic vent session about everything from music industry bullsh*t to the dissolution of a relationship. Drummer and co-conspirator Kyle Fisher jokes: “I’ve been telling people that this is Luke’s therapy record.”
