South African Metal Titans Deadline Back With ‘Cult of Prometheus’

South African Metal Titans Deadline Are Back With ‘Cult of Prometheus’

As the pioneers of the ‘New Wave of South African Heavy Metal’ Deadline openly bow down to the memory of 80’s Thrash Metal, Power Metal, Heavy Metal and on occasion Sleaze Rock, as they march with intent and pride towards the release of their 3rd album, ‘Vitriol Inc’ that will undoubtedly be their most daring release yet.

 

Metal Hammer recently hailed Deadline as one of the ‘10 African Metal Bands Challenging Heavy Metal

Vocalist Jessy Switchblade shares that “This song is based on the story of Prometheus, who stole the fire from the Gods and gifted it to mankind. It’s about the free thinkers, those who spread hope, those with forethought, those who question everything and take action against what they’re told and what they’re forced to believe. This song is dedicated to them, to us, to the tragic hero roaming planet earth. Prometheus was the ultimate anti-hero, both a trickster and a hero, an advocate for humanity, a purveyor of rebellion. This song is dedicated to the trickster in every one of us, who will break or bend rules to be different, to rise above, to create beautiful, controlled rebellion.”

Jessy elaborates that “As far as the cover is concerned, we decided to do a tribute to old school power metal covers. This one is largely inspired by Manowar and Primal Fear. We tied it up to the story of Lady Blitzkrieg and Deadline, after Abigail’s Crypt, Deadline have captured her and tied her to the church steeple and the eagle has been sent to attack her (It mirrors the story of Prometheus).”

Wrighteous Mike (Drums), Judge Mental (Guitar), Jessy Switchblade (Vocals), Damian Dread (Bass) & The Skullprit (Guitar)

 

From choosing a band name taken from a Testament song, to wearing their beautifully crafted battle jackets emblazoned with the names of their favourite heavy metal bands, the quintet is hellbent on bringing the nostalgia, exuberance, and blood thirsty passion of the 80’s without necessarily pigeonholing themselves in one sole genre.

 

Formed in Pretoria, South Africa in 2014, Deadline played their first show at a friend’s house party on 7 March 2015 and have not looked back since. 2 albums and an EP later, they have become the fore runners of the Old School Heavy Metal sound in South Africa which they have dubbed the “New Wave of South African Heavy Metal”. With 6 South African Metal Music Awards to their name, a dedicated fanbase who dub themselves the “Deadline Heavy Metal Crew” and an energetic, passionate live show second only to their heroes Iron Maiden, they march with intent and pride towards the release of their 3rd album, “Vitriol Inc” that will undoubtedly be their most daring release yet.

 

Led by the effervescent, high flying Frontman Jessy Switchblade, Deadline have undergone a few core changes during the pandemic, but have now solidified their line up around guitarists Judge Mental and The Skullprit (the last original member along with Jessy), bassist Damian Dread and percussionist and back up vocalist Wrighteous Mike. The quintet is hellbent on bringing the nostalgia, exuberance, and blood thirsty passion of the 80’s without necessarily pigeonholing themselves in one sole genre. Their music transcends genres, it transcends generations, it’s an ode to the decade that changed us forever. Sit down in your Lamborghini Countach, strap your seat belt, and let their crashing drums, pulsating bass rhythms, bright neon guitar riffs and screeching vocals take you back to your glorious metallic past! “Vitriol Inc” will be out early 2023!’

 

We are metal! We are fire! We are legacy! We are energy! We are power! We are Deadline!

Produced, Recorded, Mixed & Mastered at Dread Studios and Gloryvale Studios

Art Designed by Barend Chamberlain

Video Filmed & Edited by Marius Els & Michael Wright

ISRC usl4q2290915

UPC 198015121824

Promoted by Devographic Music Agency