Sophie Jamieson will play a run of instores across the UK to tie in with the album release in January, with dates at London’s Rough Trade West as well as in Gosport, Oxford, Leeds, and Brighton. Sophie will then follow up with a UK headline tour in February, including a London show at The Lexington on 12 February 2025. See below for a full list of upcoming tour dates, with tickets available here. Instores:
January 15th – London – Rough Trade West
January 21st – Gosport – Slice of Vinyl
January 22nd – Oxford – Truck
January 23rd – Leeds – Jumbo Records
January 25th – Brighton – Bella Union Record Shop Live dates:
Feb 7th – Manchester – Low Four
Feb 8th – Belfast – The Duncairn
Feb 11th – Brighton – Folklore Rooms
Feb 12th – London – The Lexington
Feb 16th – Nottingham – Peggy’s Skylight
Feb 20th – Frome – HydeAway
If Sophie’s debut LP Choosing explored the self-destructive urge that swells from running away from one’s whole self, I still want to share muscles through, song by song, doing its best to face it. It lifts the lid on the roots of how we love and digs in even deeper, leaning into our deficiencies but doing so from a stronger, healthier place that is much less afraid of the pain that inevitably comes with feeling everything. Co-produced in London by Sophie Jamieson with the Grammy Award-winning Guy Massey (known for his work with Spiritualized, Manic Street Preachers, as well as remastering The Beatles’ back-catalogue), I still want to share also feels more exploratory, playful, and detailed with a richer palette. All the raw emotion of Sophie’s songwriting and vocal delivery is joined by some new characters: twinkly, toy-like omnichord, brooding layers of harmonium and sub-bass, as well as rich string arrangements – courtesy of Josephine Stephenson (Daughter, Ex:Re, Lisa Hannigan) – that weave a yearning connection through the beating heart of the record. “There’s a lot of warm autumnal colours, and then more glittery, dark, starry skies. Something about it all has really come together to illustrate some things that I didn’t know I needed to articulate in this way”, Sophie explains. Throughout I still want to share, Sophie takes the enormity of the word ‘love’ and peels back its layers. Underneath, she finds a number of the themes that return across these songs: that loving so often feels like control and need, that being loved can be excruciating when it means having to face yourself. That simple, pure, unanxious love looks like sharing, generosity and space, and that this love is so elusive in adult life. “I think what holds this record together is the idea of attachment rather than love,” she explains. “The clinical, less romantic nature, the ugly nature, but also the very human nature of that.” I still want to share sits now, as a reckoning with the futile desire of perfection and solid answers, in terms of what we ask of ourselves, and what we ask of those we love. The questions asked throughout are painful at root level, the answers only ever swept away with the wind. After all, as the closing track croons, “time pulls you over backwards, deep beneath your age” and thus at the end we find ourselves back at the beginning, young, old, all at once, ready to try again. Despite it all, we still look for love and we still want to share. |