THE CLASH – ‘COMBAT ROCK / THE PEOPLE’S HALL’ – A SPECIAL EDITION IS OUT NOW
** THIS IS A PUBLIC SERVICE ANNOUNCEMENT…. WITH GUITARS! **
‘COMBAT ROCK / THE PEOPLE’S HALL’ A SPECIAL EDITION IS OUT NOW
PREVIOUSLY UNRELEASED COLLABS WITH RANKING ROGER ON ‘ROCK THE CASBAH’ AND ‘RED ANGEL DRAGNET’ IS OUT NOW
WATCH LONG TIME COLLABORATOR, FRIEND & LEGENDARY NEW YORK GRAFITTI ARTIST FUTURA REVISIT COMBAT ROCKHERE
“A fascinating, highly original record that’s as fresh and relevant today as 40 years ago”
“40 years on, its infectious mix of dub, funk, punk and hip-hop remains as glorious as ever”
– 9/10 Uncut
“This magnificent set is a vital snapshot of The Clash’s glorious last stand; on triple vinyl!”
–9/10 Classic Rock
Originally released in May 1982, ‘Combat Rock’ is the final album from The Clash of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon. Featuring two of the band’s most well-known songs, ‘Should I Stay Or Should I Go’ and ‘Rock The Casbah’, plus favourites ‘Straight To Hell’ and ‘Know Your Rights’, it is both their biggest selling album and highest charting set in both the UK and US. Today, The Clash release a special edition of the album, titled ‘Combat Rock / The People’s Hall’. It couples the album with an additional 12-tracks compiled by The Clash.
Having returned to London following their pivotal 17-show residency at New York’s Bond’s Casino in 1981, the band rehearsed and recorded at The People’s Hall in the squatted Republic of Frestonia near Latimer Road in London and from there they embarked on a tour of the East and South East Asia, during which the album sleeve image was captured by Pennie Smith in Thailand.
The tracks on ‘The People’s Hall’ chart the period from what was their last single Radio Clash right up to the release of Combat Rock, including unheard, rare and early versions of tracks.
The disc highlights a new version of ‘Know Your Rights’ which was recorded at The People’s Hall on the Rolling Stones Mobile Studio, and the previously unreleased instrumental ‘He Who Dares Or Is Tired’. Other notable tracks include ‘Futura 2000’, an unreleased original mix of ‘The Escapades of Futura 2000’, Mikey Dread’s‘Radio One’, and the outtakes ‘The Fulham Connection’, previously known as ‘The Beautiful People Are Ugly Too’ as well as ‘Idle in Kangaroo Court’.
‘Combat Rock’ is indicative of The Clash’s constant evolution and was influenced in part by the relatively recent end of the Vietnam War, particularly on ‘Sean Flynn’, inspired by the disappearance of the photojournalist and film star’s son. The band’s curiosity and range is illustrated by the many styles and voices here, notably poet Allen Ginsberg’s apocalyptic spoken word on ‘Ghetto Defendant’and graffiti artist Futura’s rap on ‘Overpowered By Funk’.
The Clash’s influence on punk, post-punk and indie rock is well documented and ‘Combat Rock’ specifically continues to inspire waves of rediscovery from new audiences, most notably with the use of ‘Should I Stay Or Should I Go’ as a prominent plot device in the first season of the Netflix smash ‘Stranger Things’. Meanwhile, ‘Straight To Hell’ remains instantly recognisable having been used in ‘Paper Planes’ by M.I.A.
The album is released alongside a new video, which features The Clash’s visual collaborator Futura. It sees Futura sharing his memories of working with The Clash, as well as his thoughts on New York’s early graffiti and hip-hop culture. It also shows Futura creating some brand new artwork based upon the record. Watch HERE.
‘Combat Rock / The People’s Hall’ is out now and available HERE. It is released on double-CD, triple-vinyl and digital formats.
In addition, The Clash’s collaborations with the late Ranking Roger received their first ever official release within a separate two-track EP last month. It finds the legendary frontman of The Beat infusing ‘Red Angel Dragnet’ and ‘Rock The Casbah’ with his exuberant, high-energy toasting. The limited edition 7” vinyl is out now. LISTEN HERE.