Mawiza Release Unplugged Version of Towering Single “Mamüll Reke”

Mawiza Release Unplugged Version of Towering Single “Mamüll Reke”
Indigenous Metal from the Mapuche Nation
Featured by RevolverDecibelBandcamp + TEDx
Touring Europe this Summer with Ater  
Performing at Rock Al Parque, Dynamo and Summer Breeze
Hear the band’s defiant new album a week early during Bandcamp Listening Party
“…a booming plea for re-connection between humanity and nature” – RollingStone (15 Latin Albums We Can’t Wait to Hear in 2025)
“I love Mawiza! For their music, for who they are as individuals and for what they stand for!” – Joe Duplantier of Gojira
Mawiza – Mamüll Reke (Acoustic Version)

Summoning thunderous tribal rhythms and indigenous instruments within the fields of modern metal has earned Mawiza recognition from the Chilean Grammys and respected elders like Mercyful Fate, Mastodon and Slipknot. But this band of modern day warriors are still a force of nature when paired down to their rawest form.

Today, Mawiza are releasing an unplugged version of the latest single off the band’s upcoming third album ÜL. Though stripped bare, “Mamüll Reke” still stands in towering defense of their ancestral land.

“Like other songs from ÜL, ‘Mamüll Reke’ was written in a way that everything could be reduced to melody and kültxung, the Mapuche drum”, says Mawiza’s vocalist and guitarist Awka. “The melody and lyrics are strong enough to guide the song on their own”.

Watch the video for the unplugged version of “Mamüll Reke” on the Season of Mist YouTube channel

https://youtu.be/iQ4NHS2dKFE

ÜL comes out July 18 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/mawizaul

Hear Mawiza perform “Mamüll Reke” and other defiant anthems from ÜL this summer when they tour Europe this summer alongside fellow Chilean metalheads Ater.

Immortal Flame 2025 European Tour
more dates to be announced!
July 16 – Maribor, Slovenia @ Gustaf Pekarna
July 17 – Miskolc, Hungary @ Zugivo
July 18 – Deva, Romania @ John’s La Cetate
July 19 – Targu Jiu, Romania @ Piano
July 20 – Sibiu, Romania @ Rock & Bike
July 21 – Timisoara, Romania @ Nemesis
July 22 – Brasov, Romania @ La Templarie Pub
July 23 – Arad, Romania @ Club Flex
July 24 – Budapest, Hungary @ Riff
July 25 – Szeged, Hungary @ Varosi Club
July 26 – Pecs, Hungary @ Vararok
July 27 – Ostrava, Czech Republic @ Barrack
July 31 – Pinerolo, Italy @ Spazio Nino
August 1 – Barberaz, France @ Brin De Zinc
August 2 – Ostend, Belgium @ B52

Can’t wait to chant along to ÜL? Hear the whole album a week before it comes out by RSVPing for the band’s upcoming Bandcamp Listening Party

ÜL Bandcamp Listening Party
Thursday, July 10 @ 1 pm Eastern Time

RSVP
https://mawizakvlt.bandcamp.com/live/l-listening-party

When Mawiza are armed with their electric guitars,  “Mamüll Reke” soars above the treetops amidst headbanging riffs and piercing flute. But the unplugged version of the band’s latest single feels just as heavy. Brittle acoustic strums scrape against rattling percussion. As Txalkan steadily pounds away like a procession of mourners, with weary resolve, Awka chants for defending the Mapuche’s land no matter the cost.

Mamüll reke / Lhalu witxan / Afaflen (Just like the tree / that dies standing / chanting the way cry“, he sings with grim determination. “Lhayaiñ ka (We will die too)“.

“We aim for the unplugged versions of our songs to be even heavier and darker”, Awka says. “Without the distortion and loud drums, the message comes through more clearly. It might even be easier to feel our territory”.

To capture the song’s hard-fought message, Mawiza shot this video close to home. Spread along the outskirts near where the band live in Chile, the Panul Forest is Santiago’s last native forest. “It’s a very special place for us”, remarks Awka. “The forest has no protection against encroaching building projects, but the Machi, who’s the spiritual leader of the area, has always invited us to visit, sing, bring joy and share our newen, which means energy in Mapuzugun”. Stirred by its haunting final verse, “Mamüll reke” calls upon the spirits sleeping amidst the trees to reawaken. “Txüfken mew püruan kuyfi nhewen txepeam (I will dance on the ashes to awaken the ancient forces)”.

“We feel this forest is like ourselves, resisting time and the city’s advances”, Awka concludes. “It was the perfect place to record the unplugged version of ‘Mamüll Reke'”.

The video for the unplugged version of “Mamüll Reke” was directed and edited by  Andrés Hetzler (@andreshetzler). 

Praise for Mawiza
“Mawiza represent and honor their powerful Mapuche heritage, amplifying its relevant message of connection with our roots and the universe as a whole. And they do so with determination and in the most modern way, with heavy riffs and an openness to new ideas and to the world. A conversation between past, present and future. Don’t give up the fight!” – Joe Duplantier of Gojira

“…a roar of Mapuche pride out of Chile’s metal scene” – RollingStone

“Mawiza cut through the noise with their own signature cocktail of chainsaw guitars, guttural vocals and ancestral Mapuche wisdom they’ve dubbed ÜL Metal” – Bandcamp

No contest here: Chilean metal force Mawiza absolutely crush it” – Revolver

“the band uses their music to channel strength and keep history alive” – Decibel

“a new and fresh sound of modern metal, but reimagined as if it had been born in the heart of the wallmapu, mixing and creating sounds typical of their culture” – The Resistance

“a heavy proposal merged with elements of Mapuche culture, preserving and making visible its roots, traditions and its struggles, resulting in a unique style” – Futuro

Tracklist
1. Wingkawnoam (3:38) [WATCH]
2. Pinhza Ñi pewma  (4:29)
3. Ngulutu (3:50)
4. Nawelkünuwnge  (5:06)
5. Mamüll Reke  (4:24) [WATCH]
6. Wenu Weychan (6:13)
7. Lhan Antü (4:08)
8. Kalli Lhayay (3:58)
9. Ti Inan Paw-Pawkan (featuring Joe Duplantier from Gojira) (4:42)Tracklist (English Translation)
1. To Decolonize (3:38) [WATCH]
2. Hummingbird Dream  (4:29)
3. Western Storm (3:50)
4. Become a Cougar  (5:06)
5. Just Like The Tree (4:24) [WATCH]
6. The War of the Sky (6:13)
7. Dead of the Sun (4:08)
8. Let It Die (3:58)
9. The Last Harp Call (featuring Joe Duplantier from Gojira) (4:42)Origin: Wallmapu, Mapuche Nation
Style: Indigenous Groove Metal
FFO: Gojira, Soulfly, The Hu
Mawiza – Wingkawnoam (Official Video)
Photo by Andie Borie
ÜL means “chant” in Mapuzugun. The album represents the voice of the land, the origin of feeling, the first call to connect with emotions. It is the materialization of a part of the spirit that, for a few seconds, becomes one with the wind—a force we can hear, resonate, communicate with, and return to. ÜL is Mawiza’s indigenous chant, and like smoke, it rises as a message to the skies.
Like their Mapuche ancestors, Mawiza always look back. ÜL chants to awaken the energies that have fallen asleep in the land, using the power of the great cities to resist the noise of imbalance. In this way, the album becomes another element of nature, a force defending itself, speaking in its own language to keep fighting and condemning those who continue to futilely subjugate their own strength.
With ÜL, Mawiza present themself to the world with a decolonizing and empowering mission. The album proclaims that nature possesses consciousness and spirit. Opening song “Wingkawnoam” emphasizes the importance of indigenous Mapuche thought by following dreams as precise guides for one’s path in life.
“Pinhza ñi pewma” is a dream that Mawiza’s vocalist Awka had during a time when hummingbirds were nowhere to be seen. Their chant was absent and the chilco plant was disappearing. In Awka’s dream, four hummingbirds came to feed on the blood from his fingertips, as if it were nectar flowing from the flowers of the chilco.
ÜL pays tribute to nature and Mawiza’s ancestors. “Ngulutu” recalls ancient battles between the Mapuche and the Spanish in Santiago, Chile. “Mamüll Reke”, “Wenu Weychan”, “Lhan Antü”, and “Kalli Lhayay” are filled with rhythms and sounds reminiscent of the most hermetic rituals of the Mapuche people. They were used by shamans to induce trance and heal the sick, to communicate with and greet the spirits of the mountains.
Closing song “Ti Inan Paw-pawkan” features chants from members of Mawiza’s indigenous community, as well as Gojira frontman Joe Duplantier. It is here, during the album’s finale, that the band stake their claim as both indigenous and urban. The song acknowledges the mission entrusted to Mawiza by Mapuche authorities and by the land itself: to raise awareness about balance on Earth in an empowered way and to call for greater attentiveness to Mapuche territory. Otherwise, the consequences will be dire.
Lineup
Awka – Lead vocals & rhythm guitar
Karü – Lead guitar & backing vocals
Zewü – Bass & backing vocals
Txalkan – Drums & percussionGuest musicians
Fabiola Hidalgo (Liquen) contributes vocals to “Wingkawnoam”, “Pinhza Ñi pewma”, “Ngulutu” and “Mamüll reke”Joe Duplantier (Gojira) contributes vocals to “Ti Inan Paw-Pawkan”Recording Studio
Estudio del Sur in Chile

Producer
Pancho Arenas

Sound & Mixing Engineer
Pancho Arenas

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Cover Art
Kata Ulloa

Booking information
Europe: juan@thatmusicagency.com
Rest of the World: unai@cowboymusic.agency