KENTUCKY-BASED INDIE ROCK BAND WAYNE GRAHAM COMING TO THE UK NEXT MONTH

KENTUCKY-BASED INDIE ROCK BAND
WAYNE GRAHAM
COMING TO THE UK NEXT MONTHRECENTLY RELEASED NEW ALBUM
BASTION
OUT NOW ON HICKMAN HOLLER/THIRTY TIGERS
LISTEN HERE

Photo Credit Hunter Way

BASTION PUSHES NEW APPALACHIAN SOUND FORWARD, BREAKING BOUNDARIES WITH EXPERIMENTAL SYNTHS, AVANT-GARDE, WHILE EMBRACING TRADITIONAL ELEMENTS OF FOLK/COUNTRY, HIGH AND LONESOME AND A TOUCH OF HYMNAL INSPIRATION

“Outstanding”
Uncut

“Breezy and meandering presence, coloured by easygoing guitar, keys, and woodwinds…recalls singer/songwriters like Andy Shauf, both in its lithe instrumental touches and its lyrical character portraits”
Under The Radar

“All that variety contributed to the album’s slightly unhinged, experimental feel, even as the group summons vestiges of Appalachian tradition.”
Magnet Magazine

“Bastion weaves a complex tapestry through the small town human experience, blending the sounds of Appalachia with jazz, punk, noise, and indie.”
American Songwriter

“Their songs use folk and country as a foundation for fearless explorations of jazz, punk, soul, noise, classic rock, and modern classical.”
Holler

Kentucky-based band Wayne Graham are coming to UK in November with three shows in Nottingham, Manchester and London. The dates are part of their European tour, which starts this month in support of their recently released album Bastion, which is out now on Hickman Holler Records/Thirty Tigers.
LISTEN TO BASTION HERE

Bastion is the ninth studio album from Wayne Graham – comprised of brothers Kenny and Hayden Miles (the band is named after both of their grandfathers, both coal miners) as well as José Oreta and Germany-based instrumentalist Ludwig Bauer.

For this record, the band welcome a sense of looseness, unraveling and a touch of the avant-garde as they continue to shift the New Appalachian movement forward with this seminal work, shaped by tradition (hymns, high and lonesome) but intent on breaking boundaries in the sonic landscape by experimenting with synths, production work and unexpected instruments like clarinets.

Of the opener ‘We Could’ve Been Friends’, Magnet Magazine praised the band’s “quirky Southern Boogie” and compared them to late period Wilco, while Holler claimed the record to be what it might sound like “if King Gizzard and the Wizard Lizard ever made a cosmic country album.”

Applauded by American Songwriter for blending genres “seamlessly across nine tracks, pulling from indie, jazz, avant-garde improvisation, and Appalachian tradition to create an utterly unique sonic experience,” Bastion also earned acclaim and support from The Bluegrass Situation, Under The Radar, Spill Magazine, UNCUT, and more.

‘We Could’ve Been Friends’

Watch video for ‘I Had Plans’ HERE

Watch ‘A Silent Prayer’ Live from First Presbyterian Church in Lexington, KY HERE

Bastion – Cover Art

On Bastion, Wayne Graham tapped into feelings of isolation, the inevitable passage of time, familial disagreements, love, loss, changes, outgrowing your roots and eventually coming back to them (American Songwriter). Highlights include ‘A Silent Prayer’, featuring a sophisticated touch of atonality and a sprinkle of psychedelia throughout courtesy of Moog, organs, and squalling guitars. It blossoms into a refined, ethereal rocker full of lush harmonies that only brothers can conjure. ‘The Patsy’ is a jazz instrumental that sounds like Brubeck taking five deep in Appalachia, while ‘Shoot Me’ is a slow meditation opened with a discordant piano riff and is a weary-yet-tense examination of racial attitudes in small town America. Inspired by the drag ban, the subtly charged ‘Swingin’ Round’ has the humble melody of a Protestant hymn.

“That song comes from a place of frustration,” he says. “I started writing it around the time the drag ban was being talked about in Kentucky and Tennessee, and as I worked on it, it morphed into a song about trying to find a way to communicate with people you disagree with, even if it’s family.”

“Our music is the way it is because we’re from here,” says Hayden Miles “It’s very specifically Kentucky.”

As adults, however, they find themselves increasingly alienated from the culture and values of the place, a small town not unlike so many other small towns in America. “I feel very fortunate to be able to say we’re from here, and it’s inspiring to watch other people from this region find success,” says Kenny, who lives two hours away in Lexington, Kentucky. “At the same time it can be very isolating. It feels strange to play our hometown, because our music isn’t what people are looking for here. Sometimes Wayne Graham feels like a square peg in a round hole.”

Photo credit: Hunter Way

Wayne Graham, named after brothers Kenny and Hayden Miles’ two grandfathers, each coal-miners with storied histories, has long been at the forefront of the new movement of artists shaping the New Appalachian Sound – shaped by tradition, but intentionally set on forging a new sonic landscape. Bastion was produced by brothers Hayden and Kenny Miles, the latter of whom has done production work with Tyler Childers, 49 Winchester, Vincent Neil Emerson, Senora May, Laid Back Country Picker, Luna and the Mountain Jets, Sean Whiting, Tenure, Slut Pill, Grayson Jenkins, Pierceton Hobbs, Appalachiatari, Paul Handelman, Dennis & the Ponies, and many more.

2024 European Tour Dates
Oct 30 – Berlin, DE – Kultuhaus Insel
Oct 31 – Drachten, NL – Iduna
Nov 2 – Hilversum, NL – Vorstin
Nov 3 – Haarlem, NL – Patronaat
Nov 5 – Nijmegen, NL – Merleyn (Doornroosje)
Nov 7 – Dordrecht, NL – Bibelot
Nov 8 – Pforzheim, DE – Horch!
Nov 9 – Amen, NL – DeAmer
Nov 11 – Nottingham, UK – The Grove
Nov 12 – Manchester, UK – The Lodge
Nov 13 – London, UK – The Slaughtered Lamb
Nov 16 – Hamburg, DE – Rolling Stone Beach Festival
Nov 19 – Dresden, DE – Ostpol