Cigarettes After Sex Announce New Album Details + Share First Single, “Tejano Blue”

Filled with raw, imagistic vignettes set to entrancing, slow-burn pop songs, bandleader Greg Gonzalez captures every emotion a romantic arc inspires. But where previous albums have drawn from an amalgam of relationships, for the most part, X’s centralises on just one relationship that spanned four years. “The record feels brutal,” admits Gonzalez. “I could sit and talk about this loss to someone, but that wouldn’t scratch the surface. I have to really write about it, sing about it, have the music, and then I can start to analyse and learn from it. Or just relive it—in a good way. I don’t have that Eternal Sunshine-thing of wanting to forget.”

While continuing to observe classic pop song structures, Gonzalez has moved away from the prior sonic touchstones of the ‘50s and ‘60s, finding himself now drawn to a ‘70s/’80s slow dance. While (in typical Cigarettes style) these changes may be subtle, the overall resulting energy is akin to disco ball-refracted tears on the dance floor.

Today also marks the release of the record’s first single, “Tejano Blue”, a nod to the music of bandleader Greg Gonzalez’s Texas childhood, resulting in the most instantly memorable version (and liveliest tempo) yet of the band’s signature sensual, timeless, love songs.

Gonzalez explains: “I grew up in El Paso & Tejano music is huge there. You could go to a lot of the bars in the city and hear artists like Selena, Los Ángeles Azules & La Mafia playing over the speakers. It was in the atmosphere around me back then, but I always rejected it and gravitated towards anything else I was attracted to really.

“Years later when I was living in New York City I finally started listening to Selena’s ‘Como La Flor’ at the same time that I was also listening to a lot of Cocteau Twins. I had the idea then to try to combine both of their sounds somehow, which felt a bit strange, but also felt like it was coming from a genuine place of rediscovering & finally connecting with the music that I heard around me in my youth.”

The band will tour later this year, with the announcement of a world tour. Fans in the UK that pre-order the new album from the band’s store will gain access to pre-sale tickets for The O2 show from 6^th March 10:00 GMT.  Artist pre-sale for North America will be available beginning Tuesday 5th March at 10am local time. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, 8th March at 10am local time at cigarettesaftersex.com.

This ongoing rise is made all the more remarkable when you consider the band remain shadowy figures, there are no CAS music videos and their artwork is forever in moody monochrome. But in the era of the cult of personality, perhaps it’s this ongoing adherence to aesthetic, the rejection of overexposure in favour of a little mystique, that’s created the space for fans to truly commune with their music, sharing it like an illicit secret.

And so we have X’s, another lean collection which, like previous Cigarettes After Sex records, is also characterised by the place these songs were recorded. There’s the El Paso college stairwell for the first EP, the Brooklyn rehearsal space for the first album, the courtyard in a house in Mallorca, Spain for Cry, and now the home at the foot of the Hollywood Hills in Los Angeles, where Gonzalez lived with his then-partner. While initial demos were captured live in August 2020, with longstanding bandmates Jacob Tomsky (drums) and Randall Miller (bass), the lion-share was recorded in a small bedroom, over the course of six live sessions from 2021 to 2022. With the addition of Jeff Kite on keys, the intimate spirit was the antithesis of a big studio vibe: the mood was relaxed and open and afterwards they’d hang out, listen to music, and drink wine.

While continuing to observe classic pop song structures, Gonzalez has moved away from the prior sonic touchstones of the 50s and 60s, finding himself now drawn to a 70s/80s slow dance. But in typical Cigarettes style, these influences are subtle—in the drums regimented to a click, in the beat and bop of “Baby Blue Movie,” and in the overall energy akin to disco ball refracted tears on the dance floor.

And then there’s Gonzalez’s constant throughline: his deft use of reverb and space, and his soothing, androgynous vocals, which he laid down in the Spring/Summer of 2023, when the singer was still deep in his grief. Instead of waiting for the healing balm of perspective, Gonzalez pressed on the bruise and harnessed the hurt.

“I have to confront everything I went through, that’s just how I make peace,” confirms Gonzalez. “These are like photographs, and if I write a song then it’ll always be dear to me, and yes, it’s painful that it’s gone, but I’m just so fucking lucky I had that ever.”