Renowned cellist Lori Goldston and experimental trumpeter Greg Kelley share the title track to their forthcoming album All Points Leaning In today. The album will be released in January ’23 on Broken Clover Records. Hear and share “All Points Leaning In” via New Noise Magazine HERE and Bandcamp HERE. All Points Leaning In was created after a couple of years of Greg Kelley and Lori Goldston performing together often throughout the Pacific Northwest, as a duo and in various ensembles, usually in artist-run spaces and occasionally scoring silent films. Most often they play completely improvised; occasionally their work is loosely structured or composed. Both are classically trained, and known for exploring deeply textured, expansive sounds on the outer edges of their instruments, drawn to pushing past the point of stability into less controllable threshold states. The album was recorded at the home studio of producer Steve Fisk, who contributes a legendarily fine, bold ear and originality. It was tracked live, through amplifiers and effects pedals, without overdubs or looping. The sound is visceral and airy, droning and densely layered, ecstatic and precise. Bio: Lori Goldston Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher from Seattle. Her voice as a cellist, amplified or acoustic, is full, textured, committed and original. A relentless inquirer, her work drifts freely across borders that separate genre, discipline, time and geography. Current and former collaborators and/or bosses include Earth, Nirvana, Mirah, Jessika Kenney, Ilan Volkov, Eyvind Kang, Stuart Dempster, David Byrne, Terry Riley, Jherek Bischoff, Malcom Goldstein, Steve Von Till, Lonnie Holley, Cat Power, Ellen Fullman, Maya Dunietz, Mik Quantius, Embryo, O Paon, Tara Jane O’Neil, Natacha Atlas, Broken Water, Ed Pias, Christian Rizzo and Sophie Laly, Threnody Ensemble, Cynthia Hopkins, 33 Fainting Spells, Vanessa Renwick, Mark Mitchell, Lynn Shelton, and many more. Her work has been commissioned by and/or performed at the Kennedy Center, Sydney Festival, Cineteca Nacional de México, Tectonics Festival, Frye Art Museum, Time Based Art Festival (TBA), WNYC, The New Foundation, Paris Fashion Week, Northwest Film Forum, On the Boards, Seattle International Film Festival, Seattle Jewish Film Festival, Bumbershoot, Crossing Border Festival, Boston’s Museum of Fine Arts, Joe’s Pub, the Stone, University of Chicago, and venues large and small throughout North America, Mexico, Australia, and Europe. Bio: Greg Kelley Greg Kelley began studying the trumpet at age 10. He attended the Peabody Conservatory of Music in Baltimore, where in addition to studying the Conservatory curriculum, he immersed himself in a deep study of avant-garde and experimental music, eventually coming to the conclusion that his musical focus fell outside of the academic sphere. After his studies, Kelley moved back to his native Massachusetts, quickly situated himself into the local avant-garde circles and soon commenced a period of intense travel and collaboration, bringing him throughout North America, Europe, Japan, Argentina & Mexico. In 2020, he relocated back to the greater Boston area after spending 6 years in Seattle. He has appeared on over 100 recordings as a member of Nmperign (with Bhob Rainey), Heathen Shame (with Wayne Rogers & Kate Village of Major Stars), Cold Bleak Heat (with Paul Flaherty, Chris Corsano & Matt Heyner) and Hound Dog Taylor’s Hand (with Jeffery Taylor, John Seman & Mark Ostrowski) and has collaborated with Jandek, Keiji Haino, Donald Miller (Borbetomagus), Lori Goldston, Anthony Braxton, Kevin Drumm, Christian Wolff, Pauline Oliveros, Joe McPhee and Lionel Marchetti, among others. In addition to playing the trumpet, Kelley has also recorded music using electronics and musique concrete elements, All Points Leaning In will be available on LP and download on January 16th, 2023 via Broken Clover Records. Pre-orders are available HERE. |
