| Dickinson’s tour continues in Europe throughout June and July with remaining dates listed below. Bruce Dickinson – The Mandrake Project Tour
13th June – House Of Culture, Helsinki, FINLAND (SOLD OUT)
14th June – Noblessner Foundry, Tallinn, ESTONIA
16th June – Huxleys Neue Welt, Berlin, GERMANY (SOLD OUT)
17th June – Grosse Freiheit 36, Hamburg, GERMANY (SOLD OUT)
19 June – Copenhell, Copenhagen, DENMARK *
21st June – Graspop Metal Meeting, Dessel, BELGIUM *
22nd June – Summerside Festival, Grenchen, SWITZERLAND *
24th June – Zeltfestival Rhein-Neckar, Mannheim, GERMANY *
25th June – Circus Krone, Munich, GERMANY (SOLD OUT)
27th June – Resurrection Festival, Galicia, SPAIN *
29th June – Hellfest, Clisson, FRANCE *
30th June – Rockhal, Esch-Sur-Alzette, LUXEMBOURG (SOLD OUT)
3rd July – Rockharz Open Air, Ballenstedt, GERMANY *
5th July – Ippodrome Delle Capannelle, Rock In Roma, Rome, ITALY *
6th July – Bassano Del Grappa, Metal Park, Vincenza, ITALY *
9th July – Palladium, Koln, GERMANY
11th July – Masters Of Rock Festival, Vizovice, Czech Republic *
13th July – Hala, Zagreb, CROATIA
16th July – Kolodrum Arena, Sofia, BULGARIA
19th July – Kucukciftlik Park, Istanbul, TURKEY
21st July – Release, Athens, GREECE * * – festival performance
For more information regarding the tour click here PRAISE FOR THE MANDRAKE PROJECT “[His] voice still soars over grandiose metal, yet the music is darker and heavier than his work with Iron Maiden” – Daily Telegraph“The wildly ambitious, mostly hard rock but genre-blurring The Mandrake Project” – The Sun (4/5) “The Mandrake Project demands and rewards total absorption into its kaleidoscopic sound picture… Bruce’s extraordinary voice… has rarely sounded more assertive, upfront and in your face, urging his vocals to new levels of expressive emotion and dramatic control” – Metal Hammer (9/10) “His most ambitious and best solo work to date… He sounds great, his voice properly doing the rounds through the narrative, as the beefy riffs – much more so than in Maiden – and gritty production add a layer of their own” – Kerrang (4/5) “Epic… grandiose… infectious. Easily one of Bruce Dickinson’s boldest projects” – Classic Rock (4/5) “Bruce creates a vivid world of magic and mayhem… a solo project worth investing in” – Daily Star (4/5) “Spectacular solo outing… surely his most innovative and creative yet. Heavy but easily accessible” – Record Collector (4/5) “Simply brilliant… we are already looking at one of rock and metal’s defining genre-crossing albums of 2024” – Powerplay (10/10) “Its themes are plainly evident in the earworm metal of ‘Many Doors To Hell’ and gothic menace of ‘Fingers In The Wounds’, although more subdued (but equally sombre) hues inform the portentous, piano-led power ballad ‘Shadow Of The Gods’” – Uncut “A titanic and resonating piece of work” – Metal Talk “This is highly atmospheric metal, full of muted guitars and shaded melodies with Bruce sounding absolutely phenomenal” – Fistful Of Metal (9/10) | 
