ALEXISONFIRE ON TOUR:
4/27 — Toronto, ON — History (Free Show – SiriusXM + LiveNation (SOLD OUT)
5/19 — Nashville, TN — Marathon Music Works
5/20 — Atlanta, GA — The Eastern
5/21— Daytona Beach, FL — Welcome to Rockville
5/23 — New Orleans, LA — House of Blues
5/25 —  San Antonio, TX — Paper Tiger
5/27 — Houston, TX — White Oak Music Hall
5/29 — Dallas, TX — So What!? Music Festival
6/3 — Leeds, UK (headline) — Slam Dunk Festival
6/4— Hatfield, UK (headline) — Slam Dunk Festival
6/15—St. John’s, NL — Iceberg Alley Performance Tent
6/16—St. John’s, NL —  Iceberg Alley Performance Tent
7/2—St. Catharines, ON ­­— Born & Raised Concert Series
7/3—St. Catharines, ON — Born & Raised Concert Series
7/13—Ottawa, ON — RBC Bluesfest 2022
7/14—Montreal, QC  — MTELUS (SOLD OUT)
7/15—Montreal, QC — MTELUS
7/16—Québec, QC  — Festival D’éte (With Rage Against the Machine)
7/21 — Boston, MA — Roadrunner
7/22 — Silver Spring, MD — The Fillmore Silver Spring
7/23 — New York, NY — The Rooftop at Pier 17
9/23-25 — Birmingham, AL — Furnace Fest
9/14 — Cleveland, OH — House of Blues
9/15 — Detroit, MI — The Fillmore
10/4 — Los Angeles, CA — Hollywood Palladium
10/5 — San Francisco, CA — The Warfield Theatre
10/6—Sacramento, CA — Aftershock
10/8 — San Diego, CA — SOMA
10/9 — Anaheim, CA — House of Blues

Otherness is the band’s most cohesive and self-actualized record to date. For those who need a refresher, AOF released four hugely successful studio albums, all Music Canada Platinum-certified: Alexisonfire (2002); Watch Out (2004); Crisis (2006); and Old Crows/Young Cardinals (2009). Crisis debuted at #1 on the Top 200 Soundscan (Canada), and Old Crows/Young Cardinals debuted at #2, and charted at #9 on the US Billboard Independent Album chart. ​​The number of albums made outside of Alexisonfire by different band members over the years — including City and Colour, Dead Tired, You+Me, Dooms Children, and Billy Talent — could fill several record store bins.

Alexisonfire produced Otherness themselves in roughly a week. They kept it a “family affair,” working closely with folks who’ve been with them for years. Writing took place at the Dine Alone Records clubhouse. The album includes organ, keys, and pedal steel from Green’s longtime collaborator Matt Kelly. Jill Zimmerman and Darren “Jeter” Magierowski (who is also Steele’s cousin) engineered, at Jukasa Recording Studios.

“The biggest difference is the space we are all in. We were all really thrilled to make a record, and it was such a respite from what was going on in the world. It felt like life could be beautiful,” MacNeil says. “We were supportive of one another. Everyone was in such a good mood. It was such a treat to be able to do it again.”

As Revolver noted in 2019, “It’s hard to overstate the influence Alexisonfire had in post-hardcore through the mid-2000s, their combination of singing and screaming setting the blueprint for many artists to come.” Five guys playing aggressive rock (with no less than three of them singing and screaming) grew to a hockey-arena headlining phenomenon while pushing and pulling between spirited guitar leads, melodic might, and emotional weight.

“As much as we love playing the old songs, we don’t want to be a nostalgia act. The only reason to come back is if we feel we still have something to say,” Pettit insists. “We spent so much time on the road thinking that if we stopped, people would lose interest. But when we went away, it only got bigger. We all carved new paths for ourselves, so coming back to Alexisonfire is a purely enjoyable creative venture. Something special happens when we get in a room together.”