SIKTH UNLEASH REVIVED VERSION OF ‘BLAND STREET BLOOM’

SIKTH
UNLEASH REVIVED VERSION OF
‘BLAND STREET BLOOM’
WATCH HERE || LISTEN HERE

TAKEN FROM ANNIVERSARY RE-RELEASE
DEATH OF A DEAD DAY MMXXVI
REMIXED BY ADAM “NOLLY” GETGOOD
OUT 4TH DECEMBER via COOKING VINYL
PRE-SAVE / PRE-ORDER HERE

SIGNING, LISTENING PARTY AND Q & A SESSION AT
ROUGH TRADE EAST ON 3RD DECEMBER
TICKETS

Photo credit: Dean Addison
Today, British prog-metal visionaries SIKTH have shared a new version of fan favourite track, ‘Bland Street Bloom‘. The song is the opener from their seminal sophomore album Death Of A Dead Day and this new version will appear on Death of a Dead Day MMXXVI, a fully revived and remastered edition of the critically acclaimed record.

Mixed by long-time collaborator and admirer of the band, Adam “Nolly” Getgood, the re-release arrives twenty years after the release of the album, celebrating the album’s anniversary and cementing its legacy as one of the most important progressive metal releases of all time. Death of a Dead Day MMXXVI will be released on 4th December 2026 via Cooking Vinyl.

Speaking on Death of a Dead Day MMXXVI, SIKTH guitarist and renowned producer Dan Weller comments:
“I can’t quite believe it’s been 20 years since Death of a Dead Day. It’s an album that we’re still incredibly proud of, and it means a huge amount to us.

“We’re really excited for people to hear the 2026 version, with Nolly bringing his fresh take to the mix. I think it’s turned out great. It’s also pretty crazy to think that Nolly was one of the first people to start making SIKTH guitar covers on YouTube when the album was originally released. In a way, that makes him the perfect person to revisit it — there aren’t many people who know Death of a Dead Day as intimately as he does.”

Pre-save and pre-order the album here
Listen to ‘Bland Street Bloom MMXXVI’ here
SIKTH – ‘Bland Street Bloom MMXXVI’
Released on 6th June 2006, Death of a Dead Day was the album on which SIKTH’s musical language reached its most concentrated and influential form. Songs such as the aforementioned ‘Bland Street Bloom’, as well as ‘Flogging the Horses‘, ‘Sanguine Seas of Bigotry’ and ‘Part of the Friction’ moved between punishing grooves, technical counterpoint and extraordinary vocal performances.

The album’s achievement lay not simply in its difficulty, but in making extreme technicality feel physical and dramatic. Guitarist Dan Weller later offered a more prosaic description of its creation: “For us it was just a bunch of dudes arguing and trying to write these really difficult songs.” Looking back on the band’s original instincts, he added that “we knew we were making music for the future.”

Its long-term influence grew as a new generation of progressive-metal musicians embraced displaced accents, polymetric structures and rhythmically intricate guitar work. SIKTH did not single-handedly invent djent, but their first two albums provided an essential bridge between the experimental metal of the 1990s and the progressive-metal explosion of the following decade.

Death of a Dead Day MMXXVI will be available on the following formats:

  • 2CD – disc two is the instrumentals of the album (available at all retail)
  • Orange & Black marble double LP (available at all retail)
  • Silver & Black Splatter double LP (SIKTH store exclusive / limited to 300 units)
  • White & Black Marble double LP (Sheet Happens exclusive / limited to 200 units)
  • White label test pressing LP (SIKTH store exclusive / limited to 10 units)
SIKTH – Death of a Dead Day MMXXVI
Album Artwork 
TRACKLISTING
1. Bland Street Bloom
2. Flogging The Horses
3. Way Beyond The Fond Old River
4. Summer Rain
5. In This Light
6. Sanguine Seas of Bigotry
7. Mermaid Slur
8. When The Moment’s Gone
9. Part of the Friction
10. Where Do We Fall?
11. Another Sinking Ship
12. As The Earth Spins Round

SIKTH have also announced a very special event at Rough Trade East to commemorate the release of Death Of A Dead Day MMXXVI. The band will be taking part in an exclusive In Conversation event and signing session on 3rd December, welcoming fans to attend and celebrate the ground-breaking album’s re-release and look back at its creation, its evolution and the endurance of its legacy. Find tickets and more information about the event here.
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ABOUT SIKTH:
Few British metal bands have exerted an influence as profound as SIKTH. Formed at the turn of the millennium, the six-piece helped redraw the boundaries of progressive and technical metal through rhythmic complexity, virtuoso musicianship, contrasting dual vocals and an approach to songwriting that rejected conventional structures.SIKTH’s defining line-up was established in 2001: vocalists Mikee W. Goodman and Justin Hill, guitarists Dan Weller and Graham “Pin” Pinney, bassist James Leach and drummer Dan “Loord” Foord. Goodman’s screams, spoken narratives and theatrical character voices contrasted with Hill’s melodic and aggressive singing, while the instrumentalists approached complex arrangements with remarkable precision.

Long before “djent” became an internationally recognised movement, SIKTH were exploring many of its defining ideas: tightly controlled syncopation, shifting metres, interlocking guitar patterns, elastic bass lines and sudden transitions between extreme heaviness, melody, ambience and spoken word. While Meshuggah provided an important earlier foundation, SIKTH translated those possibilities into an eccentric, distinctly British form encompassing mathcore, hardcore, progressive rock, jazz, punk and the avant-garde.

Their influence can be heard throughout the generation that followed, including Periphery, TesseracT, Animals as Leaders, Protest The Hero and Textures. Periphery bassist and producer Adam “Nolly” Getgood has described Death of a Dead Day as a game-changing connection between himself, Misha Mansoor and Periphery. He has particularly cited James Leach’s inventive use of tapping, slap bass and melodic counterpoint as a major influence.

Twenty years after its release, Death of a Dead Day remains embedded in the language of contemporary heavy music. SIKTH’s catalogue may be compact, but its reach is vast. Through originality, technical brilliance and a refusal to observe genre boundaries, they have earned their position as virtuosos, innovators and architects of modern progressive metal.

BAND MEMBERS
Mikee W. Goodman – vocals
Justin Hill – vocals
Dan Weller – guitar
Graham “Pin” Pinney – guitars
James Leach – bass
Dan “Loord” Foord – drumsFOLLOW SIKTH
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