Speaking about the film, Habeeb said: “Beautiful Was The Fight has been my passion project for the past seven years. I wanted to make a film about the local scene that focused mainly on female musicians and members of the LGBTQ+ and non-binary communities. Through my love of music and cinema, I wanted to highlight their music, the value of live performance, the importance of community, and the current state of venues in the Boston area. As a filmmaker, I wanted to explore what could be done to put Boston on the map as a music destination and keep artists here. Production began in September 2016 and the film was completed in February 2023. The project started shortly after I attended a concert at The Sinclair in Harvard Square on September 9th, 2016, featuring Ruby Rose Fox and Walter Sickert & The Army of Broken Toys. I was already a big admirer of The Army of Broken Toys, but I hadn’t seen Ruby before and didn’t know her music. I became an instant fan. Ruby was the first artist I approached about making a film. My original vision was modest in scope; I envisioned a “weekend-in-the-life” documentary short. Had Ruby not said yes and produced Queen Treatment Only, a concert featuring a line-up of several female-fronted bands from Boston on October 22nd that same year, what became a vastly expanded vision for the film may never have become a reality. The show’s producers, Vickie and Peter Van Ness of gimmeLIVE, allowed me to film backstage and document performances. It was at that event that I met so many additional artists and, on the drive home later that night, realized I wanted to expand the scope of the project. Ruby was very supportive about the idea when I talked with her the next morning. My goal was to make a film that shined a spotlight on the current Boston music scene and included reflections, mostly from the perspectives of women and members of the LGBTQ+ and non-binary communities – a film that celebrated the talent, success, drive, and passion we have in Boston, but also addressed its many challenges head-on. Most of all, I wanted to make a film that people would feel proud to be a part of.” |