Pop-rock trio Waterparks are proud to announce their signing with 300 Entertainmentand new single ‘Lowkey As Hell’ (listen HERE). “You don’t have to stick to one thing,”exclaims frontman Awsten Knight. “Over the years, we’ve gotten better at switching it up. By making moves like getting with 300 (an almost exclusively hiphop oriented label) and not forfeiting our guitars once we signed the deal, I think we’re actually taking steps to help rock. Either way, fuck genres and expectations. There’s no reason to be limited.”
‘Lowkey as Hell’ is an exciting release from Waterparks. Over a glitchy bounce, Awsten confesses, “I just cried into a shirt I could never afford last year” before detailing, “Drake problems.” It builds towards a chant-able refrain—“I’m highkey and lowkey as hell”–backed by a rush of distortion. Reminiscent of early 2000s emo rock, the track is a deftly-crafted pop rock anthem, with heavy-hitting drums and vibrant vocals, lyrically musing on the band’s exponential growth in popularity and its influence on their personal lives.
Waterparks never sit still. The Houston trio—Awsten Knight [vocals, guitar], Otto Wood[drums], and Geoff Wigington [guitar]—manically move forward, shucking and jiving between fits of rock, alternative, and electronic with pop ambition and hip-hop’s bold and blatant disregard for the rules. In 2020, the boys only pick up the pace as they ready new music after signing a new deal with 300 Entertainment. Waterparks has garnered a cult following for their animated musical stylings. 2019’s FANDOM elevated them to new critical and commercial peaks. Marking a series of career bests, it landed at #2 on the Billboard Top Alternative Albums Chart, granting their first Top 40 debut on the Billboard Top 200. KERRANG! rated it “KKKK” and MTV admitted, “We have no choice but to stan.”As the band nears 200 million cumulative streams to date, it yielded fan favourites, including ‘I Miss Having Sex But At Least I Don’t Wanna Die Anymore,’‘Turbulent,’ and ‘Watch What Happens Next.’
“The song is a recap of the last year or so,” Awsten states. “it really describes what’s been going on and who I am. When I’m on stage, I’m a forward-facing, extroverted presence. At the same time, I’m also the biggest hermit ever. I just like to stay in, ignore my phone a lot, and write. I’m naturally reserved in my day-to-day life. The juxtaposition of loud materialism versus private emotion in that opening line really encapsulates the feeling I wanted to get across in the rest of the song.”