Premiered Worldwide on Sirius XM Liquid Metal on 1/23
photo credit: Mezgarth
“The Wretched; The Ruinous” premiered worldwide on Sirius XM Liquid Metal on 1/23.
UNEARTH‘s new music was recorded, once again, with renowned Producer/Engineer Will Putney.
UNEARTH Vocalist Trevor Phipps explains, “‘The Wretched; The Ruinous’ is a summation of our upcoming album as a whole musically and lyrically as it showcases the aggression, power, melody, energy and darkness that is full-throttle UNEARTH. Thematically this lead track puts the full blame on Mankind for the destruction of our planet, and the mass extinction of millions of species, as well as the eventual eradication of man due to our negligence with the climate crisis.
The first video for the new record was shot in one of our favorite places to tour on the planet, Tokyo, Japan. The raw energy from the crowd was captured by the talented Seidai Takekoshi and his additional cinematographers Seijito Nishimi and Ryo Minekawa whom all got into the crowd, in the pit and on stage to properly capture the power and emotion this song brings and we are excited to show you all the end result. See you on the road worldwide in 2023 and beyond.”
UNEARTH are nothing short of standard-bearers and keepers of the faith for American metalcore. They were the band born in the breakdown who never wavered from their love for European death metal melodicism, supercharged by American thrash and hardcore. Now, nearly 25 years into a career that‘s seen the Massachusetts mob play innumerable gigs and massive festivals on six continents, sell hundreds of thousands of records, and inspire some of the most important bands in extreme metal today, they remain a force to contend with.
For UNEARTH, the mission is simple. Keep being UNEARTH. “We formed this band to make music for us, not trying to create something for anyone else. As soon as we did that people connected to it, and it’s kept us pushing onward for almost 25 years. We look forward to 25 more.” UNEARTH‘s storm isn‘t about to let up any time soon.
“The mentality has always been to look at UNEARTH as long-term as possible,” says vocalist Trevor Phipps. “We‘ve continuously cited the careers of Cannibal Corpse, Testament, Exodus and Slayer as bands that kept going, never compromising their music and touring hard around the world. We adopted that mentality early on and it’s kept us going for almost a quarter century. We love what we do, and we will keep on doing it.”
With King Parrot, etc.:
01/27 Sydney, AUS – Crowbar
01/28 Melbourne, AUS – Max Watt‘s
Hell on Earth Tour 2023
with Misery Index, Year Of The Knife, Turbid North and Leech
04/01 Dortmund, GER – Junkyard
04/02 Antwerp, BEL – Trix
04/05 Munchen, GER – Backstage
04/04 Freiburg, GER – Crash
04/05 Eindhoven, NET – Dynamo
04/06 Sheffield, UK – Corporation
04/07 Leeds, UK – The Warehouse
04/08 London, UK – Islington Assembly Hall
04/09 Lille, FRA – The Black Lab
04/10 Paris, FRA – La Machine Du Moulin Rouge
04/11 Stuttgart, GER – Im Wizemann
04/12 Weinheim, GER – Cafe Central
04/13 Cottbus, GER – Gladhouse
04/14 Leer, GER – Zollhaus
04/15 Chemnitz, GER – AJZ Chemnitz
04/16 Ostrava, CZE – Barrak Music Club
04/17 Berlin, GER – SO36
04/18 Hamburg, GER – Bahnhof Pauli
04/19 Copenhagen, DEN – Pumpehuset
04/20 Gothenburg, SWE – Musikens Hus
04/21 Stockholm, SWE – Slaktkyrkan
With their 25-year mark looming, it‘s a daunting thought that UNEARTH has been a part of the metal landscape since making their recorded debut with 1999‘s Above the Fall of Man EP. At that point, UNEARTH was one of the key bands in an-about-to-detonate New Wave of American Heavy Metal (NWOAHM) scene that included nascent lineups of Killswitch Engage, Lamb of God, Shadows Fall, Darkest Hour, Bleeding Through, and God Forbid. “It was a healthy competition between all of us,” the vocalist recalls. “It made for some great music and opened up a new chapter in American metal.”
The release of 2001‘s The Stings of Conscience album (Eulogy) and its landmark follow-up Endless EP ignited excitement about UNEARTH, who in 2003 joined Killswitch Engage, Shadows Fall and Lamb of God on the inaugural MTV Headbanger‘s Ball tour. Inking with Metal Blade that year for the album The Oncoming Storm, UNEARTH took their spot as one of American metal‘s most explosive live acts. “Those early years of full-time touring were really impactful for us,” says Trevor. “We were hitting milestone after milestone, year in year out. Endless road work followed including countless tours, massive European, Japanese, and Australian festivals, and rite-of-passage American road-jaunts, including the Ozzfest and Mayhem festival tours, cemented the Mass quintet as a force in the world of metal. That unassuaged work ethic drives the band to this day.
Joining Trevor, Buz and long-time bassist, Chris O‘Toole, on the road is not only new guitarist Peter Layman (ex-Apiary), who filled in for UNEARTH before, but also drummer Mike Justian, long considered an integral part of UNEARTH‘s halcyon days. “Mike‘s live performance and presence are unmatched, and we couldn‘t be happier to have him back with us,” states Trevor. In the Summer of 2022, with Justian and Layman, the band headed off to Europe for festivals and haven‘t looked back since, with appearances at various US festivals, a tour in Mexico to round out 2022, and upcoming world touring in 2023, with tours in Australia, Japan, Taiwan and Europe all on the docket in the first quarter of the new year.
Vocals – Trevor Phipps
Guitars – Buz McGrath
Bass – Chris O’Toole
Drums – Nick Pierce
The Stings of Conscience (2001)
The Oncoming Storm (2004)
III: In the Eyes of Fire (2006)
The March (2008)
Darkness in the Light (2011)
Watchers of Rule (2014)