SHUN: North Carolina Heavy Rock Collective Featuring Member Of Throttlerod To Release Self-Titled Debut
SHUN: North Carolina Heavy Rock Collective Featuring Member Of Throttlerod To Release Self-Titled Debut June 4th Via Small Stone; New Track Streaming + Preorders Available
“SHUN’s style manages to be thoughtful … without giving in to self-indulgence or pretence, and their debut offers high-grade, dynamic, melodic heavy rock that resounds with purpose, taking familiar elements and pushing them beyond simplistic genre confines.” – The Obelisk
Asheville, North Carolina heavy rock collective SHUN will release their self-titled debut on June 4th via Small Stone Records. The record includes guest appearances by Mark Morton (Lamb Of God) and J. Robbins (Jawbox, Burning Airlines, Government Issue).
A name inspired by a Bruce Lee quote: “Adapt what is useful, reject [shun] what is useless, and add what is specifically your own,” SHUN is guitarist/vocalist Matt Whitehead, guitarist/backing vocalist Scott Brandon, bassist Jeff Baucom, and drummer Rob Elzey. Astute Small Stone loyalists will recognize Whitehead from his work in Throttlerod. He’s not alone in pedigree. Brandon has spent most of his life as a working musician, producer, and DJ in Detroit, and Ann Arbor, Michigan and Chicago, Illinois. Baucom, a veteran musician in his own right, played with Whitehead briefly in a band called Made Of Machines and has been a part of the regional music scene for some time while Elzey has toured the world as a tech for the likes of Hatebreed and Unearth, among many others.
Together, SHUN manifests a distinct identity throughout their eponymous LP, incorporating everything from melodic noise rock and heavy riffs to atmospheric largesse and contemplative, patient construction. Developed in covid-isolation over a period of several months, the drums and bass comprising Shun were recorded in Elzey’s garage while Brandon’s guitars were captured in his basement studio. Whitehead’s guitars were recorded with amps tucked into his bedroom closet and vocals were also tracked in his house. A guest spot from Lamb Of God’s Mark Morton on the penultimate “Heese” required no studio stop-by. In the end, nine tracks were turned over to esteemed producer J. Robbins at Magpie Cage Recording Studio (Clutch, The Sword, Coliseum) for mixing and Dan Coutant at Sun Room Audio for mastering.
It’s to the band’s credit that Shun exists at all, let alone that it is neither disjointed nor wanting for urgency. A forceful and intermittently aggressive offering, it balances mood and intensity of expression throughout its duration. Writes The Obelisk of the output, “SHUN’s style manages to be thoughtful … without giving in to self-indulgence or pretence, and their debut offers high-grade, dynamic, melodic heavy rock that resounds with purpose, taking familiar elements and pushing them beyond simplistic genre confines.”
In advance of the release of Shun, today the band is pleased to unveil the opening track, “Run.” Notes Brandon, “This album for me truly is a culmination of a lifelong passion for music and a testament to my DIY attitude towards life in general. We worked really hard through some difficult times to put this thing together, and I’m really proud of what we’ve done. I’ve found myself playing and writing with some amazingly talented people in this band, and I think ‘Run’ is a great example of us hitting on all cylinders.”
Shun, which features cover art by Alexander Von Wieding (Monster Magnet, Trouble, Karma To Burn), will be released on CD and digital formats via Small Stone with Kozmik Artifactz handling a limited vinyl edition. Find preorder options at THIS LOCATION. Fans of HUM, Lo-Pan, Throttlerod, Failure, Tool, Shine, and the like, pay heed.