LEWIS WATSON ANNOUNCES BELFAST SHOW AT OH YEAH CENTRE ON WEDNESDAY OCTOBER 21ST 2020 | ON SALE FRIDAY @ 10AM

Shine by arrangement with Paradigm Agency presents: 
 
LEWIS WATSON
& Guests
 
Wednesday 21st October 2020
Oh Yeah Centre, Belfast
Doors 6pm
14+ Show
Tickets £12 + Booking Fee
 
UK singer-songwriter Lewis Watson is pleased to announce a headline Belfast show at Oh Yeah Centre on Wednesday 21st October 2020. Lewis releases his third studio album ‘The love that you want’ on May 29th 2020 via Cooking Vinyl Records. Tickets on sale Friday @ 10am from Ticketmaster.ie and shine.net
 
Lewis Watson, it’s fair to say, has put in his 10,000 hours. Still only 27, the singer-songwriter from smalltown Oxfordshire received his first guitar aged 16. He pretty much hasn’t stopped playing – or writing – since. 
 
In 2012, in his late teens, Watson released his first EP, the pithily titled and exquisitely wrought ‘it’s got four sad songs on it btw’. Within a matter of days he was fielding offers from multiple record companies, eventually deciding to partner with Warner Music, not least because of their deep heritage of working with the kind of artists he admired: artisan, self-starting songwriters ranging from Neil Young to David Gray to Damien Rice. Over the next 18 months he released four more EP’s followed, in the summer of 2014, by his debut album ‘the morning’. 
 
A heavy international touring schedule followed, as did some soul-searching and re-focusing: having had his fill of the major label system, for his second album Lewis pivoted back to his indie roots, releasing 2017’s ‘midnight’ on revered taste-making champion Cooking Vinyl. “The second album was my rebellious teenage stage: make an album without the input of anyone wearing a suit!” he smiles. “I wanted to release an album that was a snapshot of the music I was listening to at the time.” 
 
And it worked, catching a spark with his devoted fanbase. But this meant, he adds ruefully, “a pretty crazy time for me. I think I did at least 150 gigs in 2017. And honestly towards the end of that year I started to resent being on the road – which I hated! Touring is one of the best bits of this wonderful career I’ve stumbled into. But it got a bit heavy towards the end.” 
 
So by the start of 2018, with those road-miles under his belt – not to mention some quarter of a billion cumulative streams of his songs – he was ready to refresh it all up again. Unable to write on the road, Watson had ideas brimming over and his third album firmly in his sights. “Each record I’ve made has been a very different process. The first album was made over two years with eight or nine producers and their go-to guys on drums and strings and arrangements. The second one was done over two-and-a-half weeks with my band, a super-quick album in the way albums used to be made. I was very much in the control of the sonics, so that posed a different set of challenges.” 
 
For album #3, another change of tack: this time Watson, who studied music technology at Abingdon & Witney college, wanted to co-produce the album with his old collaborator Rich Wilkinson. He’d produced Watson’s very first session for Warner Music, in the famous Church studios in London’s Crouch End, so their history was deep and intuitive. 
In the intervening years Wilkinson had built his own studio, 212, in Archway in north London. So, starting in summer 2018, the pair bunkered themselves in 212 for the best part of a year, with Watson taking occasional breaks away to write and hone his new collection of songs. “I’d lost that skill of production – I stopped producing music because I had no time,” he explains. “So with this one it was great to go back into that. We deliberately added lots of time to the making of this album so we could do that.” 
 
That focus, dedication and unhurried pace is there in spades on a warm, enveloping, melodically rich, lyrically empathetic album that Lewis Watson has titled ‘the love that you want’. Explaining the title, he says: “A lot of people think I basically just write sad music. And I agree with that! Sad songs for me are much easier to write, as well as being much more important for me to write. When I sit down to listen to an album, I want it to wash over me, and I want to wallow. Ironically, I’m happiest when I’m sad listening to music, because I relate to that.” 
 
The quietly glorious ‘fly when i fall’ was released as a low-key introduction to the new album in late 2019. 

 

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