KING SOLOMON HICKS
REVEALS NEW SONG ‘I’D RATHER BE BLIND’
You can listen to it here:
TAKEN FROM DEBUT ALBUM ‘HARLEM’ – RELEASED: 13th MARCH, 2020
VIA PROVOGUE/MASCOT LABEL GROUP
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King Solomon Hicks has revealed another new song, ‘I’d Rather Be Blind,’ from his full debut album, Harlem which will be released on 13th March, 2020 via Provogue
Talking about the song, Hicks says; This is my new track from my upcoming LP Harlem. I’d Rather be Blind, is a song about: not knowing what you have, until it is gone. I’d Rather be Blind – Then to see you go.”
The 24 year old grew up in Harlem “around a lot of great musicians,” he says. The city is synonymous with vibrancy, art and music ever since the Harlem Renaissance of the 1920s and 1930s. Situated in Manhattan, New York City, that period saw a creative surge sweep the neighbourhood, which included writer and political activist Hubert Harrison, entertainer and civil rights activist Josephine Baker as well as the rise of legendary jazz players such as Duke Ellington who was one of the early performers at the now world famous Cotton Club. The Jazz scene was exploding with the likes of Louis Armstrong, Count Basie, Cab Calloway, Fats Waller, Billie Holiday, and Bessie Smith all coming through the city and that was just the tip of the iceberg. Whilst Harlem has been home to the greats such as Al Pacino, the Marx Brothers, James Reese Europe, George and Ira Gershwin, Arthur Miller, Sammy Davis Jr, Sonny Rollins…the list goes on. There’s something in the water there.
Music runs through the veins of the city, so there was no doubt that the young Hicks, who was only 6 years old when he started playing the guitar, was going to absorb those surroundings. By 13 he was on the stage at the Cotton Club, four times a week, as lead guitarist in the clubs’ 17 piece band and was already playing in legendary venues such as St. Nick’s in Sugar Hill and the iconic Lenox Lounge which Malcolm X had been a patron, and had seen the likes of Miles Davis and John Coltrane grace the stage.
His full debut, Harlem is produced by multiple Grammy Award winner Kirk Yano (Miles Davis, Public Enemy, Mariah Carey), and showcases Hicks as a writer, player and interpreter. Originals such as the roadhouse ready 421 South Main, the gospel shuffle of Have Mercy on Me and the aching instrumental Riverside Drive, he rubs musical elbows with staples such as Everyday I Sing the Blues and It’s Alright, a Latin-tinged take on Blood, Sweat & Tears’ I Love You More Than You Will Ever Know, a funked-up romp through Gary Wright’s Love is Alive and a searing rendition of Sonny Boy Williamson’s Help Me that closes the album.