FULL OF HELL SHARE GHOSTEMANE REMIX OF “REEKING TUNNELS”
“Offering 12 songs in 21 minutes, the metal band refines its sound, creating an unsettled atmosphere littered with strange and memorable moments.” – Pitchfork
Full of Hell’s highly-received new album Garden of Burning Apparitions is out now. Today, Full of Hell shares the official GHOSTEMANE remix of “Reeking Tunnels” on Revolver Magazine. Watch the distorted take on the original music video and listen here.
Additionally, Full of Hell recently announced US Winter 2022 tour dates with label mates Wolves in the Throne Room & Portland’s UADA. Tickets are on sale now and a full schedule is available below.
Garden Of Burning Apparitions is out now on CD/LP/CS/Digital via Relapse Records. Physical Orders are available HERE. Digital Downloads / Streaming HERE.
Garden Of Burning Apparitions, a genre-bending blitzkrieg of hardcore, grind and death metal, sees the band expand upon the very elements that have propelled Full of Hell to the forefront of extreme music over the last decade.
“…another example of their captivating harshness, blending grindcore, death metal, and industrial into a singular, potent force.” – Consequence
“one of the most intense things the band’s ever released” – Revolver Magazine
“…will absolutely destroy your ears, eyes, and speakers. Basically everything that you need or enjoy is going to be incinerated.” – Metal Injection
“Full of Hell continue to prove themselves a collective of musicians intent on supporting each other’s growth, and in turn sharpening the absolute edge of extreme music.” – Treble
Produced by Seth Manchester at Machines With Magnets in Pawtucket, Rhode Island, Garden of Burning Apparitions also sees Full of Helladding new dimensions to their warp-speed hellscape. Guitarist Spencer Hazard and bassist Sam DiGristine’s monstrous riffs now have an added noise-rock influence, while drummer Dave Bland commands the rhythm section at blazing speeds.
Lyrically, Garden of Burning Apparitions sees vocalist Dylan Walker exploring (anti)religion, life’s impermanence and the fear that comes with knowing death is inescapable. “Industrial Messiah Complex” grinds organized religion to a pulp in under 90 seconds, while Walker contemplates the commodification of spirituality seen in America’s vast network of garish mega-churches and how these practices are at odds with true spirituality. Meanwhile, “Reeking Tunnels” rides a strident noise rock riff down into the sewer. It’s a metaphor for the physical and mental space we become trapped in when we live in a perpetual state of fear and hate. Elsewhere, justifiable ochlophobia propels the guttural death metal blast of “Eroding Shell.” Lyrically, the song seeks to capture our fear of the violent, ignorant mob—a scene glimpsed far too often in this volatile era.
In the end, Full of Hell’s boundary smashing has paid off again. “I think it’s good that we tried not to pigeonhole ourselves early on,” Walker reflects. “Because now, 10 years in, we have the opportunity to make whatever record we want, within reason, and people will follow along.”