“If you like your doom on the heavy and groovy side, this band will blow you away.” — CVLT Nation (Top 10 Doom Releases of 2016)
“A lot like what I’d imagine Neurosis would sound like if they attempted to be Sleep in the early 2000s. The vocals are more throat-shredding than the latter’s, and the music is certainly more in the vein of Neurosis‘ swirling brand of sludge.” — Metal Injection
“Domkraft have a red-hot sound that cuts through mountains like some mutated version of the guitar-fueled war machines of Mad Max: Fury Road. — The Doom Charts
Swedish trio Domkraft share another track from their forthcoming sophomore album Flood today via Doomed & Stoned. Hear and share album opener “Landslide” HERE. (Direct Bandcampand Soundcloud.)
The album will be the first release on new label Blues Funeral Recordings, founded by formerMeteorCity (Truckfighters, Nebula, The Obsessed) cofounder Jadd Shickler.
Domkraft will also appear on Magnetic Eye Records‘ massive Pink Floyd homage, THE WALL [REDUX]. Out in November, the song-by-song recreation and reimagining of the iconic Floyd double album features recognizable artists including The Melvins, Mark Lanegan, ASG,Pallbearer, Ruby the Hatchet and Scott Reeder, and includes Domkraft’s rendition of the song, “Empty Spaces.”
Musically, Sweden has always been exceptional at sensing and seizing upon significant moments. And at a time when political chaos and societal unrest have deadened our senses, it takes a band with monolithic, hypnotic power to secure our attention and offer a mollifying score to civilization’s decline. Domkraft are that gloriously massive and land-levelling band.
If debut album The End of Electricity was the soundtrack to the impending apocalypse, then follow-up Flood provides the musical backdrop to armageddon in full, The Purge-style swing. A strong contender to dominate a style some are calling the New Wave of Swedish Doom Metal, Domkraft wield a mindbending soundscape of obeliskian riff-majesty, layer upon layer of crushing fury weaving through the wormhole punctures of spacetime in defiance of beginnings and endings.
Majestic, annihilating, reductive and roaring, Flood merges blackwater tributaries from Neurois, YOB, Monolord, and Windhand into an all-encompassing torrent of nothingness and resignation, but in the most singable, appealing way imaginable. There is no fan of blistering, melodic doom on earth who should be without this record.
DOMKRAFT. Their name combines the Swedish “DOM” for judgement and “KRAFT” for power.
The seeds for this monolithic Stockholm band were planted in Gothenburg, where bassist/singer Martin Wegeland, guitarist Martin Widholm and drummer Anders Dahlgren met while playing in various musical constellations.
Bonding over the likes of Spacemen 3, Monster Magnet, Sleep and Hawkwind, plus a fascination with trudging, 10-minute/three chord songs, they finally came together after each relocated to Stockholm. Drawing from the heaviest of their combined influences, the three spent spent years shaping and crafting a sound that blends towering dirges of annihilating doom, mindbending psychedelia, and hypnotic minimalism.
“Our songs build from one riff, played LOUD, then we add and lose parts to mold it into something powerful,” says bassist/vocalist Martin Wegeland. “Focusing on the dramaturgy of the songs, we have clear images in mind when writing, often inspired by films like Jake Paltrow’s Young Ones, Stephen Fingleton’s The Survivalist and (of course) The Road Warrior, though we never let it interfere with the groove and energy. The results of our songwriting method may differ in shape from one song to the next, but the foundation is always the same — repetition and volume! You’ll eventually get sick of every melody, but grooves are forever.”
Flood will be available on LP and download on October 19th, 2018 via Blues Funeral Recordings.
Record Label: Blues Funeral Records
Release Date: October 19th, 2018
02. The Watchers
04. They Appear To Be Alive
07. Dead Eyes, Red Skies
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