After a very successful string of UK dates before they hit mainland Europe, there was one last stop in London to play at the Electric Ballroom in Camden – an iconic venue whose stage has been graced by the mighty in times past.
Doors opened at 7:00 pm, and there was already quite a queue formed up the main street, ready to enjoy not one but two awesome bands. First up on the night, and ably supporting Whiskey Myers on their current tour, were Buffalo Summer, a four-piece band that hail from Wales, Swansea, area to be precise. They got the evening off to a great rocking start with a good mix of older and newer songs that had the crowd clapping and singing along, and the end of every song was greeted with great applause. The guys played a half hour set that had the crowd buzzing and ready for the main attraction.
At a quarter to nine the lights dimmed and the build-up music played, announcing the imminent arrival of this band of Texans known as Whiskey Myers. They took to the stage amongst great applause and cheering from a crowd that anticipated an amazing show. They were not to be disappointed. As soon as the first chord was struck the audience were enthralled by the Southern music blasting out at them. During the second song, Cody Cannon, lead singer, announced to the already excited crowd that the show tonight was being recorded to be released as a live album, so make some noise, with the crowd raising the decibel level tenfold.
Two hours and 18 songs later the night was done. Everyone seemed to have a wonderful evening of great music, and a few said this was the best Whiskey Myers gig they had ever been to. The bar was raised for the live recording, which will make this a must have when it is released on Spinefarm Records in the future, date yet to be announced.
If you get a chance to see Whiskey Myers play live, please take it. They are great musicians and put on one helluva show.
Whiskey Myers are: Cody Cannon (lead vocals & guitar), Cody Tate (lead/rhythm guitar), John Jeffers (lead/rhythm guitar), Gary Brown (bass), Jeff Hogg (drums), Jon Knudson (keys, fiddle, saxophone), and Tony Kent (percussion).
Review By Will Carter
Photography By Will Carter
‘On the River’
‘Early Morning Shakes’
‘Broken Window Serenade’
‘Lightning Bugs and Rain’
‘Some of Your Love’
‘Bar Guitar and a Honky Tonk Crowd’
‘Lonely East TX Nights’
‘Wild Baby Shake Me’
‘Ballad of a Southern Man’
‘Seven Nation Army’ (White Stripes cover)
ABOUT WHISKEY MYERS
Cody Cannon – Lead Vocals, Guitar
Cody Tate – Lead Guitar, Vocals, Rhythm Guitar
John Jeffers – Rhythm & Lead Guitar, Vocals
Gary Brown – Bass
Jeff Hogg – Drums
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
A glance through Whiskey Myers’ lyrics will show you that Cannon is a man who chooses his words carefully, so it’s little surprise that he describes the band as a family. The tight-knit group’s roots stretch back decades into the red dirt of East Texas, where Cannon, Jeffers, and Tate first began playing together before rounding out their initial lineup with the addition Hogg and Brown (who is Cannon’s actual cousin). They built up a rabid local following on the strength of their 2008 debut album, ‘Road Of Life,’ and then notched their first #1 on the Texas Music Charts with their 2011 follow-up ‘Firewater.’ It was ‘Early Morning Shakes,’ though, that introduced the rest of the world to what Texas already knew. The album cracked the Top 10 on the Billboard Country Chart, a remarkable feat for a fiercely independent band and a testament to their rigorous DIY work ethic and endless supply of passion and drive. Esquire called them “the real damn deal,” while Country Weekly said they combine “greasy Southern rock riffs with countrified songwriting and Texas grit for something wholly unique,” and Playboy dubbed them “the new bad boys of country music.”
Even in the face of their rapidly-growing profile and expanding lineup, the band found they were able to pick up exactly where they left off when they returned to the studio for ‘Mud.’
“We don’t want a high stress situation, and we don’t want to feel uncomfortable while we’re recording, because we want to make sure everybody can get into their creative mode,” explains Brown. “Dave has a laid back attitude as far as making music and that fits right in with the way we work. His ear is similar to ours and he has the same kind of vision for what the music should sound like.”
What the music sounds like is raw, visceral emotion: pride, faith, desire, defiance. The songs on ‘Mud’ are stories of ordinary men and women standing up for their families and honoring their roots. Home is sacred ground for Whiskey Myers, not just a plot of land, but rather the cornerstone of an identity worth dying for. Fiddle-led album opener “On The River” steps back to frontier times when the struggle for survival was a daily one, while the epic title track promises a home-foreclosing banker “Ain’t no man gonna take it away / Because it’s deep down in my blood / So step across the ol’ property line / And you’ll die right here in the mud.” “Frogman,” written with Rich Robinson of the Black Crowes, follows a Southern man halfway around the world, as he risks his life to defend freedom and fight terror in the Middle East as a Navy Seal, and the Darrell Scott co-write “Trailer We Call Home” finds the beauty in simple things, concluding, “Times get tough but love is strong / Here in this trailer that we call home.”
“Where you come from and where you grew up influences your music a lot,” says Cannon. “As a band, we don’t go into the studio with any preconceived theme. You just sit down and you write and the songs come out naturally.”
As a result, Whiskey Myers’ music fits neatly into no genre. Sure, it’s heavily influenced by country music (“My first record was ‘The Pressure Is On’ / Ain’t it funny how your life can change with a song” Cannon sings on “Hank”), but the band credits everything from Alan Jackson and Waylon Jennings to Led Zeppelin and Nirvana as inspiration. “Some Of Your Love” channels old-school soul, while the bright, punchy horns of “Lightning Bugs And Rain” flirts with Rolling Stones swagger, and “Good Ole’ Days” captures a stripped-down, folky vibe, as the whole band sat in a circle singing together live. It all adds up to what Cannon perhaps describes best as “no frills, no bullshit rock and roll.” “The equipment we used on the recording process for this one was really important to the sound, too” he adds. “Dave has these amazing old amps and we recorded everything to tape for the first time. The piano was from, like, 1904 or something, and I don’t think it’s been tuned since. Little things like that make a big difference. It sounds authentic when you actually use the real, old gear.”
In the end, there may be no better word for Whiskey Myers than authentic. This music is in their blood, and it flows as naturally from them as a spring feeding a mountain creek. While a record this good is sure to send their (lone)star rising higher than ever before, you can rest assured that success still won’t be changing this band any time soon. They make music they’re proud of that celebrates where they come from and makes people feel good. As far as they’re concerned, that’s all the success anyone could ever ask for.